《刹那永恒》好看吗？经典观后感锦集
《刹那永恒》是一部由Jacek Borcuch执导，雅酷朴·盖尔秀 / 玛格达莱娜·贝鲁斯 / 乔安娜·库里格主演的一部剧情类型的电影，特精心从网络上整理的一些观众的观后感，希望对大家能有帮助。
《刹那永恒》精选点评：
●so beautiful~ 片尾曲Beach House的Turtle Island
●我们永远都不知道人生的拐点在哪里，不知道自己作出的小决定会造成怎样的影响，但只能一直往前走，无法回头。很喜欢Kuba在失手杀人后的一段，少年的恐惧、无助、绝望，紧紧抓住如救命稻草般的渺茫希望，以及希望湮灭后无力的痛哭。（没有找到字幕，完全是盲看的，可能剧情的理解会有出入）
●所以這部片到底想講什麼阿。。。導演也不解釋一下最後女主角為什麼送醫院就這樣莫名其妙的結束了。。。果然不能因為海報美就亂挑片看=。=
●为了雅酷朴的小露一点加一星。剧情实在欣赏不来。
●为男神啥剧情都能忍
●虽然看的是无字幕版 完全不知道它在讲什么 但是男女主的颜我都好喜 般配 over
●虽然看的版本没有翻译… 看的不是很懂,但我还是想说：kuba美颜盛世！
●裤衩屁缝满屏；导演真放心，男主角的颜就够我们撑一个半钟头吗。苍蝇是故意放进屋里的？Kuba从下往上看似乎美貌层次降低；金发洒脱。手臂上的纹身是真的假的？练练你那结巴英语，快点演些轻佻的坏角色吧。
●剧情弱化的电影，恋爱中的几个桥段很拍得很自然美好
●屁股沟杀人事件。【咳咳严肃点：冲动是魔鬼，刹那即永恒，一些moment会lasting影响我们的一生，心中的阴影恐怕永远都不会散去，胎儿还在不在都无妨，开放结局让人多想想】
《刹那永恒》观后感(一)：忧郁美丽的青春片
核心情节很简单，男孩女孩相爱，男孩杀了一个人，女孩怀孕了。情节很重大，但讲得并不狗血。静静的慢慢的电影，在一场伤痛里，呈现了只属于青春期的复杂主题：单纯，冲动，虚荣心，依恋，家庭问题，横祸与成长。 片子台词不多，而且简单。可是女孩表面的玩世不恭和实际的无助，男孩表面的耍酷逞强和实际的柔弱，已经说尽了。从段子电影傲慢的构建、自恋的聒噪里摆脱出来，觉得耳根清净。昼夜交替的规律节奏，缓慢的叙述，扩音器空转般的氛围音乐，散文一样，贴近琐碎平庸的生活。晨光里面，女孩的肌肤很美，尽管镜头里总有一只苍蝇；女孩蓬乱头发，一脸无所谓，趿拉着脚穿过破烂的房间；男孩像个民工一样穿着短裤，在烈日下干活，和伙伴开着有点下流又不太恶意的玩笑；女孩和女伴戴着阔沿帽，吊儿郎当地笑谈和男友的疯狂举动；男孩的寡言，和他在潜水、球赛、摩托狂飙里的发泄；一面是女孩母亲去世，男孩家庭掩盖在笑声下的失败，女孩给爸爸送一把折叠刀做礼物，普通生活里不自知的困窘，一面是普通少年的青春和爱情里不自知的美。 至于杀人案件，片子里面的杀人案件无需警察介入，山高皇帝远，或者即使未来有警察调查也无关紧要，男人的出现完全是意外事件，电影不过要找一个情节，表现每个犯了错的少年一团糟的生活，让我们只属于个人历史的羞耻或愧疚，世界很大，你的故事可能就像那个沉在池塘地下的氧气罐，没几个人知道，没几个人感兴趣，时不时地跑进梦里纠缠你。男孩杀死了一个生命，女孩则要面对要不要把一个小生命带到世界上来的问题，爱情和生命，多古老的话题。 就是这些麻烦，让两个人的感情从简单的荷尔蒙冲动变得更深入。爱是要走进另一个人的生命，共同面对问题。两个人一直在纠结要不要把自己的秘密告诉对方，男孩追着女孩上车下车，可怜巴巴地向她倾诉，女孩忍不住还是去看了男孩的比赛，还有最后男孩接到女孩电话兴奋了一天。都很动人。 喜欢那个秋千的画面，关于星星的台词，“-那边有颗小星星，你真的看不见吗？-我的视力太差了。古人就是这样测试视力的，星星把人分成两种，看得见它的和看不见它的。几分钟以前，你还根本不知道这颗星星的存在。”还有可爱的老头，“-医生说你不能喝酒，除非你想早点进坟墓。-我宁可进坟墓，也不爱听你说话。”“-送给你，我爸说这是最好的酒。-那是我告诉他的。-你都记得？-我什么都记得。”
《刹那永恒》观后感(二)：刹那永恒
正上大学的卡琳娜背负沉重的思想压力，突然返回家乡，顿生疑窦的爸爸并未表露，而是张开双臂欢迎女儿回来。晚餐后，爸爸平静地凝视着女儿，有担心有期待。这无言的慰藉，让女儿终于说出“爸爸，我怀孕了”。颇感讶异的爸爸，稍缓了一口气，微笑着说“其实，我觉得做个外公也挺好的。”
常说父爱如山，没有简单的指责和呵斥。爸爸接着说“你现在20岁，你妈妈生你时也才这个年纪。”这至少让女儿放下了一半的思想负担。她带着爸爸的期许返回了大学。本来她是想停学一年。她现在可以全面审视自己的爱情，以应对未来的日子。
这是波兰电影《刹那永恒》（2013年）放映至50分钟的情节，方觉得渐渐入味。该片由波兰演员出身的新锐导演雅泽克·鲍勒祖赫继《狂浪少年摇滚梦》后，又一部风信子般的电影。女孩卡琳娜由名模玛达莲娜·贝鲁斯饰演，她的知性气质，让她的青春亮丽增色不少，尤其是擅长内心的刻画。而男主角米克则是由“波兰詹姆斯·迪恩之称”的美少年雅各布·盖尔绍出演。他的收放自如，令人印象深刻。
这个暑假，喜欢摩托和潜水的大学生米克携女友卡琳娜，前往西班牙巴伦西亚乡间打工度假。沉醉于爱情的他们，令湖光山色更加赏心悦目。微风轻拂着他们的面庞，愉悦入梦后，总会在安然中醒来。可这种美好还没来得及细细回味，就被一次横生的意外粉碎。这天，米克独自驾驶摩托来到一山间湖泊的僻静处，等潜水后上岸，正准备离开，却来了个自称是这块私家领地的陌生男子，厉声警告米克从速离开，并扣压了他的摩托车钥匙。
情急之下，受到羞辱的米克迅即举起氧气瓶狠狠砸向男子，一看，倒地的男子没气了。从冲动过后醒悟过来的米克，给他做人口呼吸，但为时已晚。这猝不及防而来的横厄，让米克手无足措。他一直呆滞地坐在湖边。直到暮色初降，他才拖起尸体沉入水底。此后，他再也无法凝聚心力谈一场甜蜜的爱情了。
等他俩返回波兰后，米克告诉了卡琳娜这一时时折磨他身心的隐痛。卡琳娜无法接受他的莽撞。恰在此时，她怀孕了，双重挤压下，才有了返乡跟爸爸的倾诉。但她并未告诉米克她怀孕的消息。焦灼的米克到处寻找她，希望得到她的宽宥。她返校后，仍拒绝与米克的交往。但肚里的孩子始终是她所要面临的最大难题。医生告诉她在波兰堕胎是违法的。她只有生养这条路。这越发让她惶恐不安。她多渴望有人替她分担这种内心的煎熬和痛楚。
同室的女同学好心拉她去看学校的排球赛。作为主攻手的米克看到了台上的卡琳娜，他喜不自禁。这给了他强大的动力，他所在的校队赢了。比赛结束后，他匆匆出来找到她。两人一直默默的走着。走到她的宿舍门口，彼此深情的凝视着，终于紧紧地拥抱在一起。
共同面对未来，总比形单影只要好。所谓刹那永恒，一是指他们用青春的激情结下了爱情的结晶；另一方面则是指米克一时兴起导致了永不可挽回的消亡。完美的刹那永恒，需要的是用一颗包容之心去对待人与事。这个世界的确很纷杂，为了所爱的人，有时，年轻人也得受得了胯下之辱。否则，事后再怎样后悔都无济于事。
这个世界或有太多不能忍的人和事，之所以不能忍，才需要以隐忍和退让的态度，去平心静气地海阔天空一回。只是爱情真的就能消弭他们的心理阴影吗。这恐怕还得时间去证明。但爱若缺乏坚韧和力量，恐怕也经不起时间的拷问和磨砺。显然，作为年轻的导演，拍出了一部深具警示意味的电影。年轻人不怕失败，但年轻不能有毁灭性冲动，这才是激情之下所要谨记的。
2013、9、21
《刹那永恒》观后感(三)：Review: LASTING (NIEULOTNE) Deals With Young Love Stained By Tragedy
作者：Patryk Czekaj, Contributing Writer
5Submit047
Guilt and indecision narrate a story of two young Polish students trying to come to terms with their own escalating problems in Lasting (Nieulotne), the latest film from Jacek Borcuch (All That I Love). To appreciate how precious life really is, they must first stand face to face with sudden tragedy and important decisions that not only gradually lead them further into adulthood, but also force them to reinterpret the meaning of love completely anew.
The characters' journey starts in a place, which might very easily be called an idyll, undisturbed by any influences from the outside world and enriched by moments of pure sexual excitement aplenty. In Spain, because that's where they've decided to spend their summer vacations, Michal (Jakub Gierszal) and Karina (Magdalena Berus) take pleasure in late night drinks and sex both on the beach and in bed. They have plenty of time to strengthen their flourishing relationship built on trust, devotion and passion. But what separates them from most fun-loving youngsters is their dedication to work, which is actually more of a simple act of gratitude for Michal's Spanish family than conscious choice.
A tragic turn of events changes their lives forever. During his leisure time, Michal loves to ride an old-fashioned ('hipster' would be a proper word here) motorcycle and dive in a secluded lake, unaware that he is, in fact, trespassing on a private property. The owner, brute and lout that he is, realizes that he has an unwanted guest and starts bullying Michal to a point where his anger gets the best of him and drives the boy to cold-blooded murder. Trying to save the situation by performing CPR only makes things worse. Devastated and guilt-ridden, Michal soon makes a cowardly and intuitive decision to go back to Poland in order to forget about that horrible incident, a lamentable cry for help that no one hears.
Ironically, the past comes back to haunt him, in the form of a person he loves the most in the world. Unable to keep the dark secret, Michal immediately confesses his sin, to Magda's enormous consternation. But what she does next is unexpected and, as presented by the film's somewhat tendentious narration, actually more disappointing than Michal's deed. She walks away without a word in a crucial moment when all that Michal really needs is a quick yet sure reaffirmation that everything will be fine.
We soon learn that the reason why Magda can't bear to be close to a person she's still greatly in love with is more serious than expected. She's pregnant, and in her wretched state that sudden revelation only drags her deeper into depression. She questions her ability to become a mother at such a young age, but her decision is never revealed in what appears to be an ambiguous ending worthy of a true Sundance film (where it premiered this year).
Learning how to stand up to the harsh reality that surrounds them, the characters work on their relationship with a much more rational approach, basing most of their decisions on experience and prejudgment. What's missing in the plot, though, is Michal's struggle with guilt. Given that he just killed a man, his behavior seems strangely untroubled, hence rather unrealistic. He tries to convince Magda it was merely an accident, and his desire to win her love back is more visible than his feelings towards murder. Eventually, the storyline forgets what was the real purpose of that seemingly crucial scene and let's it sink into oblivion. This mistake gives the impression that Jacek Borcuch intended only to scratch the surface of a much bigger issue.
The main strength of Lasting is the gorgeous cinematography, which perfectly illustrates the mental state of the characters. Spain is full of beautiful colors, sun, and warmth, while Poland is darkly lit, grayish and cloudy. In Spain we admire picturesque wide shots of the countryside, while in Poland we're assaulted with lots of cramped spaces typical of a concrete jungle. The camera moves slowly but assertively and captures the tranquility that accompanies first love and its many troubles.