《朱莉娅》观后感100字
《朱莉娅》是一部由埃瑞克·宗卡执导，蒂尔达·斯文顿 / 绍尔·鲁宾内克 / Ezra Buzzington主演的一部犯罪 / 剧情 / 惊悚类型的电影，特精心从网络上整理的一些观众的观后感，希望对大家能有帮助。
《朱莉娅》精选点评：
●she just wanted something to ground her
●劫持、人质和墨西哥边境这些敏感话题都不是重点，重点在于茱莉娅这个人物的刻画，她的犯罪动力，她的情感转变，这部电影的成功就是演员的胜利！蒂尔达斯温顿的表演成就了这部电影！这位曾在【我是爱】中说着一口俄罗斯口音的意大利语的英国女演员简直就是又一个梅丽尔斯特里普！★★★★
●intensive!看完竟然胃疼。想去墨西哥。
●实在不喜欢Tilda激动时额头皱皱的样子。除了冰雪女王的震慑，至今没其它喜欢的。
●不错。
●所谓斯德哥尔摩效应，就是这意思吧？绑匪也不是老么好当的。
●Tilda的演技讓俗套的故事散發出了新的光彩。
●完全是tilda的个人秀。从外在的形象到看不到的内心，她都成功的进入了这个角色！！
●女王撑满全场，又露乳，又露臀•••
●Tilda Swinton～～一知半解，字幕不同步，看得我那叫一个纠结
《朱莉娅》观后感(一)：《朱莉娅》
埃瑞克·宗卡的《朱莉亚》灵感来源于约翰·卡索维茨的金狮奖作品《葛洛丽娅Gloria (1980)》，但是主要剧情却不尽相同。一开始就将主人公置于反面人物，编导非常重视剧情的推进描写，而人与人之间的关系转变和情感是在潜移默化形成的，加上偏纪实风格的影像，这样增加了影片的可看性，也拥有时代感，最后的结局带有宿命的调调，也让人有不落窠臼之感。
而之前西德尼·吕美特也有过不算太成功的重拍，可能就是太过拘泥于原版人物关系的重点，而又没有发展出特别的剧情，显得两边不讨好。《朱莉亚》相对来说做得非常不错。
蒂尔达·斯文顿 Tilda Swinton 的表演是影片成功的关键，看这种连人中、法令纹都能表演的演员撑起一部戏是过瘾的。而且这次她完全不同于之前绝大部分作品中突出气质的角色，彻底征服了我。
2008-10-29
《朱莉娅》观后感(二)：09年奥斯卡最佳女演员
我在这里预测实际上没有意义。但仍旧止不住对该片的喜爱。在连续观看6遍《血色将至》以后，丹尼尔戴刘易斯超强势的演出印象强烈，但《茱莉亚》里蒂尔达-斯温顿同样热辣新鲜的表演给我意犹未尽。
《茱莉亚》讲述了一个俗套的故事，甚至一度让我对演员挑片品味产生了怀疑。与贾曼，贾木许等高水准艺术导演合作的蒂尔达-斯温顿虽然近年也出演《纳尼亚传奇》这样的好莱坞巨制，其蕴含爆发力的五官特质被众人赞叹，今次还是把我吓一大跳。
故事本身不复杂。一个终日喝酒乱性的美国妇女机缘巧合下当上了绑匪。改编并翻拍自约翰-卡萨维茨的经典电影《女煞葛洛丽雅》，并获得08年柏林电影节参赛资格。蒂尔达-斯温顿在开场的酒吧场景已渐入被毁状态。粗糙的皮肤，人鬼不分的碳熏妆，举止放荡并有失忆症。这些需要用力外露的表演她做得非常好，以至于我无法相信接下来众多可能复杂的戏剧心理她是否能收得住？你知道，方法派讲究的是与日常生活情态的完美结合，那种渲染气氛的戏剧模式是会与之产生冲突的！
结果还是令我大为赞叹。女配角抢戏出彩，美墨边境那场沙漠戏就是女主角蜕变成功的重头。导演一列充满孤独的运镜恰到好处，朱丽叶焦急寻找小男孩的剧情又让观众模糊意识到她放下了心房，重新回到了一个女人在面对孩子的那一份温情。尽管无人可以肯定，接下来漫长的旅途又会带给大家怎样的冲击，我意识到已经有观众趴在前方靠背上紧张观望着这一切，我就知道，我就知道，这戏成功了。
接下来更是精彩，女主角犯了一个关键的错误。喝酒，乱性这些原本的恶习重新出现，她最后会后悔，也会感恩。蒂尔达-斯温顿完美地诠释出一个堕落的女子张开双臂保护“儿子”的勇敢。当她的枪被过路的汽车撞掉，我们都慌了。不知道茱莉亚会怎么选择？转身开车，还是继续救人。如果她开车走人，所有人都会理解，观众也会明白，她本来就是忠于保护自己的女人。但是她没有，她乞求绑匪放过她们，她告诉那个墨西哥人车上还有一百万美金。那时候，这个母亲多么伟大，连绑匪都大叫：“我就知道，我就知道，你骗不了我，你就是他母亲。”
我们注视着那个墨西哥人离开我们的视线，却又庆幸女主角茱莉亚在经历这些天的磨难后又回到了一个善良女性的初心。前后反差明显，但经蒂尔达-斯温顿天衣无缝的精细演出下又那般自然。这应该是这部片子最大的卖点。
《朱莉娅》观后感(三)：Tilda Swinton关于本片的Q&A
在电影节上看的这片子，主办方请她本人来了。电影结束之后有个提问环节。
A film directed by Erick Zonca. Tilda Swinton is in almost every frame of it.
电影开始前她出现在台上，高高瘦瘦的穿一件黑色的夹克，短的金发。
她说，这是Erick Zonca拍的第二个电影。Erick Zonca是一位了不起的电影人，真可惜这只是他的第二部电影。这个电影能在这个电影节上放映我真是so so proud。这个电影节有很好的品味，他们排了我参演的好几个片子（笑）。Cambridge is where I learnt proper drinking, I mean, knowledge. Now fasten your seat belts, and I'll meet you after.
她走到座位上。她和我坐在同一排。我在左边。她在右边。虽然中间隔了大概十几个人，我禁不住老要往她的方向看。
电影开始。她的表演没什么可说的。从一出场她就让人相信她是那个疯疯狂的酗酒成性的放纵邋遢的女人。然而渐渐的你会发现这个人物是令人同情，甚至令人喜爱的。Julia开始转变，或者说，她性格的一些方面渐渐的展现给观众。她性格中柔软的方面，由于她绑架的那个小男孩的介入，一丝一丝的渗透出来。你会感到你甚至在性格上产生了和Julia的认同感。她杀了人，她在荒野上疯狂的开着车躲避警察的追捕，直到撞开国境线，于是她到了墨西哥。撞开国境线似乎是一个象征，在墨西哥的Julia是一个异乡人，然而她对Tom的情感越来越多的展示。这也是为什么Tilda之后强调这个电影是关于这个人的，关于Julia这个人物，她的绝望她的弱点她的疯狂她的惶恐她的转变。关于她。
片子放完之后Q&A。整个对话期间，Tilda Swinton给人的感觉是 - 幽默，直率，大方，聪慧，执着于电影事业。
我就来记一下大概的谈话内容。
她说这片子不关乎narrative，相比，更关乎territory, border，以及the person (Julia)。"I think this is the first idea in film history, cracking through the border like that."
There are few frames in which Tilda is absent in this film. Talking of which, she said she actually prefers to be in every frame of the film. She quite likes to be in greater part of a film because in this sense you can really deliver something to it, rather than having other concerns when acting, considering the tune of the whole film.
he said recently it had been like finishing a thesis of a personal kind for her. Her children had been very young before, so she wasn't really able to work in the films she would like to. And during the past few years she has had the experience of being ringed up by strangers, people she had never met before, being asked to attend their parties and to be in their films. It's like being a spy, it's like taking a course, experiencing a different kind of film making. Film making is different in the US from in the UK. It has also changed in the UK over the last few years. The BFI board used to have full responsibility for the film culture in the UK. She said this film is the first film that opens her whole new next stage. "I can't fake in America any longer". The interviewer asked about a badge she was wearing on her jacket. She talks a bit about it. She recently dedicates herself to this '8 1/2 film foundation' that aims at introducing children to films/cinematography otherwise wouldn't be exposed to young children. It involves setting up a database for kids to see parts of the films of different genres they put up for them, films that kids wouldn't see normally on screens. If the kid writes to them they would send a full-length film to him as a present on his 8 1/2 birthday. She said she really loved this idea and they had organized a festival dedicated to the notion in Nairn, a small town in east Scotland where she lives.
Then comes the questions.
1. personal impact for Tilda after shooting this film？
he said a month before the shooting their budget was cut down 1/3, so the process of shooting the film was not entirely dissimilar from Julia's state in the film. it was all kind of "what am i going to do next" situation. Budget being cut down means you have less time for the actual shooting, if you know in film industry time is money. We all try to shoot as many scenes as possible in a day. Everyday you think 'oh how many scenes we have to shoot today!' You saw the film, the making process was indeed like that. Erick said to me "You see that traffic？ Go! In Action."
In order to give her character some elements/texture Julia should carry she worked and get some muscle, a shoulder blade that Julia would have and nice tits. "Now I'm fucking skinny again!"
2. about Mitch. a woman found him to be an annoying character.
he said yes it's really great that you said that because I feel the same way myself. The way his feeling himself righteous while judging her to be false is really annoying, particularly because he's kinda in love with her in a way. "I found that very annoying. I guess that would drive her down the neck of the bottle. It would drive me down the neck of the bottle."
3. about the boy who plays Tom
quot;The boy is a very interesting element". they didn't have very much time to find the boy and they spent a length of time worrying, thinking they might have got the wrong one. But seeing the film assured them that he was the right choice. "He was a great find". Aiden comes from a soldier's family, like herself. And during the first bit of shooting he just had this kind of superiority, thinking they (Tilda and Erick etc) are insane. But later he showed his childishness gradually, which worked very well.
4. about her choice of project
quot;it's really the filmmaker". The filmmaker always comes first rather than the project. Like Derek Jarman. I had a 9 year working relationship with Derek Jarman, I was living with him now and then during that 9 years also. We would sit in the kitchen and talk about things and that sometimes lead to a film. We would talk about our love about Victorian age and that's The Last of England. That's my habit of choosing projects. It's always out of the conversations with the filmmaker that starts the film. Later I received invitations from people I'd never met before and been asked in their films I would always consider if I would like them too. It's about making contact, which is part of the work I do.
5. degree of preparation for a film
try to feel as authentic as the person as possible. she would try to work out scientifically how exactly would she behave, in physical context etc. I don't look like a corporate lawyer in Mid America so I have to work out how to be someone like that. When you appear in a film for the 1st time you should make people go "Oh right that's a new person I've never seen before" make people forget about characters they've seen you play. it's like being a spy in the war.
6. about Julia reminding people of Gene Rowlands
he said both she and Erick Zonca are fans of Cassavetes films and yes that's why this film shows traces of influence from John Cassavetes. She said before it was shown in Cannes there was this rumor on the internet about Julia being a re-make of Cassavetes's film Gloria, which she found annoying. "Julia is not Gloria, but I bet she has met Gloria."