《Tender is the Night》读后感精选
《Tender is the Night》是一本由F. Scott Fitzgerald著作，Penguin Books出版的Paperback图书，本书定价：68.00元，页数：400，特精心从网络上整理的一些读者的读后感，希望对大家能有帮助。
《Tender is the Night》读后感(一)：notes
刚读完part one rosemary的部分 这个innocent girl对感情的态度 年轻人是不是都会这样 尤其在她本来是个演员的情况下 她的乖戾/戏剧化情感 很容易我就代入进去 像鲁尼的聊天记录或者是王佳芝 年轻的过剩的感情和骄傲以及藏在下面的许多不安依靠 / 但这章/意味着这本书最后也并没有向纯粹 两个人情感的地方发展 中间一点一点埋下的零星背景 战争的伤害 离开美国在巴黎的聚会 与海明威的故事遥遥呼应 最后矛盾的集中爆发 悬念的揭晓 以及 或许要到来的小女孩innocence的终结及相伴来的成长 / 后两部分大概是第一部分这个谜面的阐释 叙述视角 / 金钱阶级文化差异与爱交织 以及后半部分更多对病人的描述 创伤的视角 / 还是金钱的味道在吞掉真正的品质 父亲的去世是一个转折 而后越来越看到不管在富人baby或者欧化美国人Dick或者欧洲人franz 都不断坠落只剩下礼貌和体面的躯壳 甚至虚伪的礼貌与体面都消失而只剩下金钱与权利下的赤裸的乖张和腐烂 此处与hemingway有许多相似 / 包含逝去的昨日的叹息 以及不管怎么努力怎样坚持甚至只是表面的礼貌与正直 Dick最后 被利用和被毁灭 当中无法跨越的鸿沟的深深叹息 / 从nicole的视角 与Dick之间有更多的冲突 作为女性和作为病人即作为弱者应当怎样被对待被“治疗” 过度的保护之后 两者的生命问题交织在一起之后 最后互相nicole的成长独立和找到新的陪伴者 某种程度上Dick受伤更多 而他也获得了很多 但沙滩和别墅 并不是属于他的
《Tender is the Night》读后感(二)：Miles and miles of rolling night
将文字作用于感知上 —— 这可能是读完夜色最大的感受。Fitz 的风格在这本中走向极致，细碎散乱，繁复华丽，没有着重于具体的情节，甚至倒叙的结构也让夜色的叙事更不清晰。但夜色又那么好，Fitz不陈述不定义，用大量暗喻，用文字的节奏与韵律，来营造 “氛围”，传递感受。在气氛的描绘上 Fitz 是天才的，Rosemary 的生动新鲜，Dick 与 Nicole 之间最初的心动，以及 Dick 暗淡绵延无法阻止的下坠，这些都如盖茨比的绿光一样，不是通过具体细节而是通过感受性的力量让人产生情绪共振。
Dick 尽管曾纯粹的追求智性却也逐渐意识到自己和大多数人一样，有的只不过是几个想法而不是真正的智慧: “Like so many men he had found that he had only one or two ideas—that his little collection of pamphlets now in its fiftieth German edition contained the germ of all he would ever think or know.” Dick 尽管坚持经济上的独立却也还是在 Nicole 的物质牢笼中不断被消耗：" Yet he had been swallowed up like a gigolo, and somehow permitted his arsenal to be locked up in the Warren safety-deposit vaults." Dick 与 Nicole 之间的关系从一开始就不对等，生病时的 Nicole 虽然也曾脆弱天真感性，但她仍然是 Fitz 笔下典型的女性角色，如同 Leslie Fielder 所形容的那样： “the fair goddess as bitch”。种种因素似乎都在指向 Dick 的下坠，但 Dick 真的无能为力么，Fitz 没有给出解释似乎也觉得无需解释，“The silver cord is cut and the golden bowl is broken and all that, but an old romantic like me can’t do anything about it." Fitz 早在故事的开始就给出了结局，Dick的下坠是浪漫主义在时代中必然的幻灭。
"The purpose of a work of fiction is to appeal to the lingering after-effects in the reader's mind.” 或许在Fitz 看来，小说的目的不是诠释因果，而是留下感受，而 Fitz 在这方面是出色的，拖着人下陷的阅读体验仿佛是和 Dick 一起经历了这十年，facing miles and miles of rolling night。
《Tender is the Night》读后感(三)：Fitz和他的无形羽翼
读Fitz的书，一不小心就会被故事中弥漫的忧伤气息紧紧缠住，如同Keats的诗中所写：
“在这里, 稍一思索就充满了，
忧伤和灰暗的绝望，
而美保持不住明眸的光彩，
新生的爱情活不到明天就枯凋。”
但是，如果你真的走进Fitz精心编织的世界，就会发现那些在夜色之下蕴藏着的，更深层的魅力。
Fitz笔下梦幻的色彩，无一不是他细腻情感的再现，每一种色彩，都是Fitz为自己心爱之人敲出的音符，清纯炽烈，没有一点点杂质。如果你真的爱Fitz，理解Fitz，相信Fitz，那么就会明白，他的爱尽管疯狂，但是在每一个温柔的夜晚，当他拿起笔的那一刻，他就是天使，是世间少有的天使，是会让一个人从灵魂深处为之哭泣，为之泪流满面的作家。
如果一个人真的用心陪伴心爱之人走过九年的时光，就会明白在Fitz笔下缓慢流动的时光是如何突然成为奔流不止的河水，一去不返，就会明白为什么Dick在离开时会一言不发。如果说盖茨比是青年的Fitz，还对理想，对爱有着充沛的感情和执念，还希望能借由一次挣扎唤醒她的内心世界，那么此时的Fitz已经明白，自己不允许Dick再有任何愤怒、嘶喊，也不可以有眼泪，只有默默的离开，去完成自己当初的选择，结束这场耗尽自己全部热情的治疗，“...远远隐没，忘掉你在树叶间从不知晓的一切，忘记这疲劳、热病和焦躁，这使人对坐而悲叹的世界。”
所以在我看来 Dick 绝不是一位失败者！
Fitz将他的身份设定成精神障碍治疗师，是绝妙的一笔，对Dick来说，他所面对的，并不只是一个个病例，而是一种切入人类灵魂深处的病症，我想，在年轻的Dick一边构思自己的理论著作，一边观察疗养院中形形色色的疯癫患者时，痛苦一定会在他心中蔓延：为什么理论上的成就，却无法治愈现实中的一个病人？这种虚伪的学术上的自我实现与现实世界中的毫无意义给Dick带来的挫败感，正是来自于他拯救世人的责任感和理想主义。理智告诉他，每个人都有自己的命运，你无法拯救任何一个个体；但感情却告诉他，每一个他所接触的病人都有伤痕和空缺，渴望他能够不仅仅以医生的身份去拥抱，去填补，去治愈。
也许形式上的爱无法拯救任何一个真实的人，只有沉入一个人的世界，才可能换回她的新生。我想在迈出这一步，做出选择时，Dick也有过犹豫，但最终Dick还是选择走入这场以婚姻为形式的治疗之中。这无疑是一个理想主义者舍弃自我的疯狂举动！但在Fitz笔下却写的那么随意从容，因为这份内心的波澜是Fitz不愿展露别人看的，勇气与克制，始终隐藏在Dick坚定温柔的内心之中。
有时觉得，Dick的爱，和Fitz一样，是盲目的。但也许人只有在失明的状态下，才能看到更多光，才会听到其他人心底微弱的哭泣声。
爱的谎言，要用怜悯来偿，人生的虚幻，需要更深沉的爱去对抗。
“我在黑暗中里倾听, 多少次
我几乎爱上了静谧的死亡，
我在诗思里用尽了我言辞，
求他把我的一息散入空茫，
而现在, 死更是多麼的富丽。”
所以，在我看来，Fitz在布满星辰的夜空中陨落，正如同三岛渴望在绝美的落日余晖，绚烂的樱花中自刃一样，是诗，是舍弃自己脆弱易逝的肉身，来证明爱、理想与浪漫的永恒魅力。
《Tender is the Night》读后感(四)：They Just Don't Care
Carelessness and Indulgence are shared qualities of female characters in Fitzgerald’s works, The Great Gatsby, Tender is the Night, and Winter Dreams.
In The Great Gatsby, Daisy regrets that Gatsby is still alive and comes back to her after she has married Tom for his money and class. Although she confesses to Gatsby that she still loves him, she uses him as a tool to deal with unhappiness. She does not appear on Gatsby’s funeral, which is caused by her, and moves away to continue her life. Being carelessness is the best way for her to keep her status in the upper class, and this is the way she will teach her daughter to be a “pretty little fool.”
In Tender is the Night, Baby and Nicole, daughters of a Chicago magnate, work together to contribute to the decadence of Dick Diver, a promising psychiatrist. However, the sisters master different kinds of carelessness. Baby wears her purposes in her manner with money as the invincible means to achieve her goals. In her first encounter with Dick, she puts out her family background and tells Dick that she is willing to buy a doctor for her mentally disturbed sister, Nicole. Later, when Dick needs the fund for a clinic that will start a prosperous career for both Dr. Gregory and himself, Baby “generously” provides him with the large amount of money upon Dick’s request. She is delighted to see that Dick takes care of Nicole in an entangled relationship, and making a monetary compensation is her expertise. As of Nicole, she seems to have a reasonable excuse for her carelessness. Two identities exist in her: the one that stabs Dick with his love for her as an entertainment, and the one that shows her love for Dick by delicate confessions and sincere apologies. She, a feeble patient, and her husband, a prominent doctor, have an unequal relationship in terms of their properties. Thus, Nicole attempts to pull Dick down to her level, although she might be unconscious of it and blame it to her illness. Although Nicole does not anticipate that Dick still appeals to young women with merely his appearance, she succeeds in making Dick indispensable to her. Rosemary does care for the relationship she has with Dick, but Mrs. Hoyt consistently teaches her to use this relationship as a practice necessary for her growth and future career.
In Winter Dreams, everyone is attracted by Judy’s beauty, who uses her physical appearance as a weapon to control relationships. Even the way she smiles is pretentious. Ironically, she wonders why she is not happy even with her beautiful face. But a tint of despondency never shadows the dainty landscape on which she runs around laughing without caring about knocking people over.
我爱你，所以我要以不自知的名义毁掉你。
我爱你，所以我爱那个因为和你在一起而腐朽的自己。