《伊甸木》好看吗？经典观后感10篇
《伊甸木》是一部由弗兰克·韦斯蒂执导，克洛维斯·科尔尼亚克 / Alexandra Ansidei / Olivier Dupuy主演的一部恐怖 / 悬疑 / 科幻 / 惊悚类型的电影，特精心从网络上整理的一些观众的观后感，希望对大家能有帮助。
《伊甸木》观后感(一)：Eden Log Review Written by: alien25
Eden Log Review
Written by: alien25
For a while there, it seemed to me that French filmmakers could do no wrong, especially when it came to creating excellent and original Thrillers and Horror movies. After all, they gave us Martyrs, High Tension, Frontiers, Inside, 13 Tzameti, and Tell No One in recent years. So imagine my surprise when the two most recent French films I have watched turned out to be such great disappointments. I might even go so far as to say that it is refreshing to know that the French too can make lackluster genre pieces just like us. I am referring to Dante 01, which I previously reviewed, and now Eden Log. After everything that I had seen, and having waited patiently for its release on DVD, I had very high expectations for Eden Log. And perhaps those expectations are in part to blame for the letdown that I felt after watching the movie. But none the less, it was even more disappointing than Dante 01.
A man awakens alone, naked and disoriented in a wet cave. Cold and unable to speak, he has no idea who he is or where he is. He stumbles about the cave and eventually comes upon a holographic image welcoming him and offering him the first clues as to his whereabouts. It becomes clear that he is deep underground and that he must somehow find his way to the surface. His journey to the surface takes him through a labyrinth of tunnels and caverns where he encounters strange mutant creatures, soldiers who seem intent on catching him, and of course the plant. With each succeeding level, the mystery of the plant and its relationship to man is exposed, and he slowly becomes cognizant of who he is and what his true purpose is.
robably the best thing that I can say about the film is that visually, it is very cool looking. And from what I understand, the director Franck Vestiel managed to achieve this with a meager budget. It is almost monochromatic, with metallic gray seemingly being the single color throughout the entire movie. I had to check myself towards the end when I began to think that I was watching a black and white film. In fact there is really only one scene, midway through the movie, where color really comes into play. I had to recall this scene in order to snap my self out of my black and white haze. The entire film is very dark, almost annoyingly so. It is difficult to tell what is actually happening most of the time. The first five minutes of the film should have been a dead give away for what was in store. One can barely make out the action as the man drags himself out of a puddle and stumbles about the cave, the entire scene lit intermittently as the feeble light source strobes slowly on and off. The end result was just annoying and off putting. While it would be logical that an underground setting be dark, and that the dark here serves as a device to heighten tension and the sense of the unknown, it is over done and ends up becoming more of a distraction. The dark also could be seen as a means by which the film makers hid the shortcomings of the production.
The other positive comment that I can make for the film and its makers is that at least they tried to do something original and different. This is not your average cookie cutter science fiction horror movie. The story is original even if its theme is not. But unfortunately, that all gets lost in the delivery. I had to go to the IMDb message boards and read how other viewers interpreted the movie just to reconcile my own feelings about it. The acting is for the most part nondeｓｃｒｉｐｔ. There are few characters and very little dialogue. Our protagonist utters little more than a grunt until about the halfway point of the movie. And for how little time we actually get to spend with any of the other characters, including the mutants, their performances were uninspiring. And again, with props to the director for trying to do something original within the constraints he faced, the movie really seemed haphazard. There seemed to be little connection between the stops on the protagonist’s journey. One would think that with each succeeding level there would be some correlation to the previous level and perhaps an idea of what is in store on the next level. But to me, there seemed to be no relation between the experiences he faced on his journey. As much as I wanted to like the movie, especially given my enthusiasm to see the film going in, I just couldn’t get past all of its shortcomings. I would have to say cool plot, idea, and look, but unfortunately failed in its delivery.
http://www.horror-movies.ca/horror_reviews_6139.htm
《伊甸木》观后感(二)：别忘了，法国核能发电量占80%
作为全球最为依靠核能发电的国家，他们势必一直在找寻更可靠的新能源。
只是，片子开始没多久，我就猜到一定是某项革新的试验工程，试图造福人类，而最后总会产生致命的缺陷而毁灭人类。我一直猜测主角与这个工程的关系，只是最后还是有点失望，没有更深层次的秘密。
用这种失忆+密闭空间探索形式，你必须习惯这种镜头，从一片茫然四处碰壁到渐渐发觉线索，还原记忆，这才是此类悬疑的核心看点。许多人对前20分钟无法忍受，我感觉十分不解。这时候恰恰是我们抓住伏笔和线索的良机。
伊甸，对于社会，系统，天道和人性本质的隐喻，就是仁者见仁的问题了
《伊甸木》观后感(三)：Eden Log——法國人的思維模式
剛剛看完這部電影~老實說，影片的前20分鐘簡直是讓人抓狂的難受，毫無頭緒，正如眾多影迷所說“挑戰人的忍耐極限”。一個失憶的人，在一個黑暗的洞穴里艱難地前行，我相信很少會有人能夠忍耐如此“崩潰的”20分種，但是我還是鼓勵大家繼續看下去，因為我就是這麼做的。
在這20分鐘期間，我極力在網絡上搜索關於這部影片的簡介，但是大多數的簡介都是模棱兩可的，根本沒有介紹出影片的故事梗概，於是我放棄了，繼續觀看影片。
在主人公遇到第一個人，也就是被樹枝纏繞（實際上是正在被植物吸食身體的養分）的那個人時，我比他還激動，終於有其他人了，但是他們的對白讓我又是一頭霧水。“你出不去了……”“已經太晚了……”“那些聲音……”。好吧，我們繼續看……警衛出現了，他們在幹什麼，沒人知道，坦白地講，現在我也沒完全搞清楚他們在做什麽，似乎只是在搜捕那個女生物學家……女生物學家出現了，并從一些奇怪的怪物手裡救了主人公一命。我要強調的是，他們之間接下來的對話很重要，大概意思是，生物學家已經在這個地下“植物園”躲藏了很長時間，這個植物園是政府的一個關於新能源的實驗工程，試驗對象就是影片的名稱——“伊甸木”，政府宣稱這種植物可以提供城市所需的能源，於是在地下搞起了這項實驗，但是實驗失敗了，實驗室里的工人們對植物產生了依賴性，開始變得野性化，失去了人性，而這一切看起來似乎卻是政府的一個陰謀。接下來，生物學家給主人公做的一個實驗證實了一切，主人公的血液讓一株已經枯死的“伊甸木”重新復蘇，這讓女生物學家也有些疑惑……
接下來的時間里兩人開始了“歷險”，既要避開那些變成野獸的人類又要逃避警衛的抓捕，主人公通過他所遇到的死尸身上的“記憶回放”小卡片回憶起了自己的經歷，而女生物學家最終也發現了這項實驗的最終秘密，植物並不會直接提供能量，它靠的是人類自身的營養，換句話說，植物要吸收人類的能量，就像，主人公遇到的第一個人，以及生物學家給主人公做的測試。那些立方體里都是正在被吸收能量的人類，這也就是爲什麽片名叫做“伊甸木”，正如“伊甸園”一樣，它讓世界回到起點，重獲新生，植物去吸收人類的營養，讓世界重回一片生機，從而消滅了人口危機、能源危機，讓真正的伊甸園降臨人間。
這部影片之所以如此令人費解，個人以為是其拍攝手段頗為深奧，十分後現代，略帶蒙太奇。老實說，我對這部影片的理解可能50%都不到，但是總算也能感受到導演的拍攝目的和良苦用心。爲什麽我說這是法國人的一種思維模式，因為，第一，影片的拍攝手法很符合法國人的心理，用環境而不是語言來襯托故事……第二，表現出了法國人對政府一向的懷疑和敵視……
真心地希望那些對這部電影持“極高批評態度”的影迷們不要過於激動，不要這麼浮華、表面，既然沒有看懂，那評論起來還不“嘴下留情”？要不豈不顯得有些幼稚和可笑…………
《伊甸木》观后感(四)：伊甸木 Eden Log
2012.3.9观影：
偶尔换台时翻到了这部影片，开场的黑暗使我意识到是部惊悚片。出于对惊悚片的热爱，算是耐着性子等到了结局。
正如很多影评中提到开场的前20分钟，在黑暗与煎熬中度过，偶尔有一丝亮光却一闪而过。画面恍惚，环境，人物肮脏，无言语交谈，只有急促的呼吸和远处若有若无的异响。整个故事情节无精彩之处，有些情节交代的也并不清晰。在观影过程中我去查阅了网上的简介，才稍稍能将影片内容大致看懂。
摘抄影片核心内容：
-4层的人，身处在绝境之中，面对主角，只能劝他自杀。
-3层的人，生命已经枯萎。他曾企图重生大自然，却以失败告终。
-2层的人，不可置信地看到未曾受到污染、反而能使自然重生的人。
-1层的人，那是一个夏娃，和纯洁的亚当吃下了禁果。
回到地面总控制中心，真相大白。
《伊甸木》观后感(五)：人吃人的社会
统治者开发了一种新能源‘伊甸木’供给整个社会，许诺只要人们勇于奉献，辛勤劳作就能有一个美好的伊甸园式的未来（树上的立方体果实），其实这个许诺永远实现不了。‘伊甸木’的最下层是被吸食的体无完肤的工人阶层；第二层是挣扎在这个系统中不能自拔的工薪阶层；第三层是最自由的上流社会，但是最后她发现自己也被污染了，也只不过是统治者的工具和玩物罢了（所以愤恨的离开了主人公）；最上边一层是暴力的统治者，警卫长（主人公）就是他们的代表。由于‘伊甸木’产生了毒素（社会弊端的必然结果）使得工人阶层发生暴动，警卫长带领一队人马下去镇压，结果被工人打得暂时失忆了，影片就从这里开始。
警卫长逐层往上走，逐渐恢复记忆，最后才发现自己和其他3个阶层都不一样，自己并不是这个黑暗世界的弃儿，而真正是暴力的统治者——剥削阶层。这一次奇异的旅程让主人公看清楚了这个黑暗社会的本质，也意识到了拯救这个社会的唯一办法就是，作为唯一一个不付出只索取的基层，要和其他基层一样，放弃自己的的统治地位，去付出、去奉献、去喂养人类共同的‘伊甸木’！所以最后主人公说了一句“为了人类”，便把自己献给了‘伊甸木’，‘伊甸木’吞噬了罪恶的都市，人类真正走向了伊甸园！主人公流下了欣慰的泪水，这滴泪可能也是导演流给当权者的良苦用心，希望当权者能够彻底觉悟。