《早安孟买》观后感精选10篇
《早安孟买》是一部由米拉·奈尔执导，沙菲克·赛义德 / Irfan Khan / Chandrashekhar Naidu主演的一部犯罪 / 剧情类型的电影，特精心从网络上整理的一些观众的观后感，希望对大家能有帮助。
《早安孟买》观后感(一)：只有改造
只有改造
如果你生在一种环境
那么必定去改造
2009 开始你的新生活
无论那些过时
《早安孟买》观后感(二)：贫穷
真实的生活，真实的贫穷，但最引我注意力的一幕是baba恳求Manju妈妈留下的那一幕，虽然我主观上很讨厌这个baba,但看到那一幕觉得贫穷不只是让你经济上匮乏，就连人内心的感情都充满着冷漠和无奈，最后当他看到Chillium死后被小孩抬在大街上的时候，他的内心其实是有一丝内疚的。
《早安孟买》观后感(三)：姐姐
姐姐，我看见的一如你裙裾未掩。
街上的霓虹已悄然点亮，闪亮。
沉甸甸攥在手心的一定会是钱。
沉甸甸的攥在手心里一定会是权。
姐姐，街上的霓虹早已闪亮。
你走过去的那个晚上我再也没看见什么衣裳。
而街上的霓虹还在闪亮，闪亮。
《早安孟买》观后感(四)：你好，孟买
由于上课的缘故最近在补印度电影，今天的主题是“米拉-奈尔”。
粗粝的影像，晃动的长镜头，嘈杂的画外音，俨然是一派新现实主义的模样。以至于起初以为本片是纪录片，随着故事进展，慢慢发现导演不着痕迹，顺畅清晰的叙事。
小男孩与被卖入妓院的女孩两人纯真的情感，小男孩离家出走的幼稚和不攒够500元不回家的韧劲，小女孩对男人带她离开的谎言和信以为真，至被骗取童贞之前还珍藏这男人与她轻佻调情时的照片，男人对妓女的控制和压抑，妓女自身矛盾的处境，想为女儿创造更好成长环境而能力微薄的无奈。当印度社会血淋淋的现实问题都摆在你眼前时，郁结压抑在心中，终于，一切矛盾在男孩爆发，一刀捅向男人时得到释放，结尾处长镜头，男孩奔逃在荒野之中，男孩正对镜头，直入观众心灵，如《四百下》最后安托万静定地注视着观众的镜头，让人震撼不已。仿佛在质问观众，拷问现实，静定的目光中又充满苦涩和迷惘。每次想到这一镜头，心都不禁一惊。
《早安孟买》观后感(五)：人的灵魂或许是希望
人一旦没了希望就散了魂了。
Krishna因为要攒够500卢比还给妈妈才可以回家。为了回家的希望，他像一个固执的小牛犊一样横冲直撞，光着脚奔跑在最混乱的街区，被嘲笑被打倒在地上。穿着破衣烂衫的像是在隐忍，只要他攒够了钱他就可以离开这里，回到那个他魂牵梦绕但是邮差都无法找到的地方。
weet sixteen出现在那个阁楼就意味着她的人生已经坠入谷底。这个时候Krishan的出现给了她一点温暖，但是当她遇见一个英俊浪漫的男人让她为了她们的将来牺牲自己的时候，她义无反顾，忘记了挣扎。她被欺骗了，但是当她离开时深深的从车窗望向Baba的时候，她的人生不是也有了希望了吗？
Rekha的希望是女儿。她出卖着自己的肉体但是也不忘在停电的时候给女儿讲故事，一遍遍的轻吻着自己的女儿给她所有的温暖。当女儿被夺走的时候她无力的说着为什么国家要做她女儿的妈妈，这是她的女儿啊。
Chillum 死于毒品，他给过Krishna希望，让他看见过天堂，像大哥哥一样陪着他。但是为了买毒他拿走了Krishna的钱，带走了他的希望。
也许从画面来说这部片子没有美感，一群生活在腐臭肮脏街道穿着破衣烂衫的人们在做着各种阴暗的勾当。但是一个被抛弃了的男孩，他的善良和顽强就是女人们破旧纱丽上最美的装潢。
《早安孟买》观后感(六)：早安，孟买
11岁的印度少年Krishna因为意气之争，烧了哥哥的单车，被妈妈赶出家门，让他不赚够500卢比（将近￥100）就别回家了。于是Krishna从乡下来到孟买，寻找赚钱的机会，从此开始了与毒品贩子、瘾君子、皮条客、老鸨、妓女为伍的街童生活。
将近两个小时，心里一直很痛。满眼都是“挣扎”二字，可影片里所有的人，没有一个能摆脱既定的命运：Chillum吸毒过量而死，只有四个街童用门板抬了送他上路；尼泊尔少女满怀着对未来的忐忑和小小憧憬，开始接客，只为了骗子的一句承诺，而她不知道这一切不过是骗子和老鸨迫她就范的温情伎俩；Manju在街头被当作流浪儿收容，因为妈妈是妓女，政府决定接管监护权到她满17岁，也就是说今后的十几年里母女都被剥夺了在一起的机会，小姑娘从此不再开口说话，一夜之间眼里变成了一片观之心惊的死寂......影片最后，Ganesh Chaturthi节到了，上百人抬着Ganesh的神像上街狂欢，这些或面生或面熟的不起眼的小人物，统统淹没在人潮之中。而Krishna虽在孟买吃尽了苦头，却还是不知道怎么才能赚够500卢比回家交给妈妈，只能呆坐在空荡荡的街角流泪，满眼迷惘和绝望。
Mira Nair拍记录片出身，拍这片自然驾轻就熟，戳起最阴暗角落里的那根软肋，既狠且准。这是她的第一部剧情片，其实是故事片和记录片的混合体，主要演员直接就是找的孟买街童，拍成记录片也会是佳作。较之后来让她蛮声海外的《季风婚宴》的明快动人，《早安孟买》是一派的黯然无望，却更加鲜活：满是苍蝇的小摊；街角低矮的窝棚；雨后泥泞的街道；横冲直撞的三轮车；抄着手嘻笑看热闹的路人；殖民时代的老旧建筑......完全的纪实风格，记录最普通的底层生活，因为真实，所以愈发触目惊心。印度官方和民间都多了些宽容，《早安孟买》固然不像《盲井》一样难通政审不见天日，Mira Nair也没被人不断指着脊梁骨骂“尽拍些社会阴暗面去迎合老外”。
It’s all about growing up, all about struggling, all about darkness and all about the wheel of our life.
Everyone in this movie is or was struggling to the reality, but in the end, they’ve all compromised to it.
o.1 a group of young waifs
It’s right after they—a group of young waifs robbed a rich old man. They were taking a luxurious carriage, sitting there singing loudly and with great emotion. When I saw this in the movie, it reminded me about my crazy time after I passed the final exam to attend a high school. We went shopping and had a great time there in the mall, watching movies cheering for all we’ve done for these days. We didn’t go home until late in the midnight that day. It was dark and a little bit cold, freeze kissing our faces sweetly. We caught the last subway and then, we danced and sang in there. It reminded me that they were still kids, no matter what they did before and in order to get money to go home no matter how they got that money. Deep inside their hearts, there were still something soft and warm, with strong hope and stubborn belief. Probably they were kind of unruly, they were full of sunshine. They still had strength to struggle in the reality. That piece of image really shocked me.
o.2 sweet sixteen
There is one picture of her from two different situations remaining in my mind. In the picture there was a young girl sitting in the car, watching out from the window. When she first came here to the bordello, she was in the car watching outside with curiosity and fear. From her clear and scared eyes full of water, I saw her innocence and chasteness as a girl of sixteen who haven’t seen this whole world—the world of darkness and lies. But in the end it’s also her sitting in the car, watching outside from the back window of the car, with sadness and disbelief. Once she felt she would leave the bordello because of the love of Barbar, but she was wrong. When Krishna went back from the prison and tried to get her out of the bordello, she refused. He saw her dressing up and showing him the picture of Barbar and her. She was only sixteen, she came to this place for awhile and then she went back in the same car. Nothing really changed during this time, but she was not sixteen any more, and she was not sweet any longer. That’s what she lost, and what she desired, in this wheel of life. And that’s her life which she couldn’t change.
o.3 Chillum
He sold drug for Barbar, stole money of Krishna’s and finally died because he overate the drugs and the disease in his lung. He was Chillum, one of many Chillums. He’s tried and struggled against his disease and eager for drugs so much that he almost killed himself by hitting the train. But he failed. He stole Krishna’s money and drunk again. No matter how hard he tried, in the end he still couldn’t change his life. But for Barbar, he was not important and not worthy feeling pity for at all. He was just one of the many Chillums in this world. One Chillum fell down, many would stand up. Just like what he showed in the movie. After his death, there was another person took his place called Chillum who drank drugs, worked for Barbar and stole Krishna’s money. It seemed that all got back to the beginning. Someone achieved something in their own way, and didn’t even see the ending directly to their death.
o.4 Rekha
After the whole movie, there’s only one thing about her remaining in my mind that is she was crying in the prison when she saw her daughter there. Probably she did something wrong and bad for this society before, and probably it’s not convenient to have a daughter with her to be a prostitute, but if she lost her, all seemed meaningless then. In the end she wanted to give up this job. From her I’ve seen the true love of a mother like when she was dancing with her daughter and Krishna, and the darkness and resignation to be a prostitute.
o.5 Krishna
I’m so moved by his stubborn and the spirit of “never give up” at first. He wanted to go home so he had to get enough money for the ticket of the train. Whenever he got enough money already, something happened so that he couldn’t really get that in the end. But he didn’t say anything, not even cried. He had a golden heart. When he first saw the sweet sixteen, he decided to save her from the bordello so he played a fire. He was caught by polis just because of Manju. He was bullied in the prison because he wanted to help another kid which was kind of weak there. And in the end he left Barbar because he saved Rekha. But things were not good for him. He wanted to go home badly. Even though he probably did something not that good to others, but it’s all about going home, as if you would get peace if you did so. But he didn’t, even in the end. He was lost in the crowd and finally he was crying, with a stone which he got at the beginning of the movie in his hand. All seemed a wheel. All these kids were trying their best to survive from the reality, but nobody succeeded, and some didn’t even finish that and went directly to the death. Then apparently, he stopped crying. And from then on, he was not a little kid any longer. He has grown up. And his heart has undergone so many troubles that he would no longer be that clear and innocent.
We are taught that to fight is almost always the best way to go through troubles, but indeed we have to say that most of the time the results for anybody are nearly the same. The only difference at this point is you’ll achieve more than others. It’s impossible to refuse the reality. In life, everyone, in the end has been taught to accept the darkness of this world.