《Jane Eyre》的读后感10篇
《Jane Eyre》是一本由Charlotte Bronte著作，Bantam Classics出版的Paperback图书，本书定价：25.00元，页数：433，文章吧小编精心整理的一些读者的读后感，希望对大家能有帮助。
直到工作两年之后才第一次看Jane Eyre，真的是一部MASTERPIECE。
Jane与Rochester的爱情是真正意义上的真爱，现在的所谓的爱情都是变了质的“爱情”，被赋予了太多的世俗观念、物质条件，这些又往往会成为真爱的阻碍。
我很想问，到底怎样才是真正的爱情，是一种感觉、一种感动，还是一种目的？
爱情——应该是一种感觉，抛弃一切世俗观点。没有一个人自从出生就比别人要卑微或者是高贵，所有的一切都是事在人为——自己的幸福需要自己抓牢，自己的幸福需要用心去经营。
quot;Not the voyage but the distance: and then the sea is a barrier..."
quot;From what Jane？"
quot;From England annd from Thornfield:and-"
quot;Well？"
quot;From you,sir."
...
quot;Then I must go- you have said it yourself."
quot;No, you must stay! I swear it- and the oath shall be kept."
quot;I tell you I must go! Do you think I can stay to become nothing to you？ Do you think I am an automaton？-a machine without feeling？ And can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup？ Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless？ You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!
《Jane Eyre》读后感(二)：经典原著-简爱
英文版比较难，用了一个月时间坚持看完了，其实早就看完了，应该说大体上看明白了，但细节上没完全看懂，又陆续听了听有声书，就算是告一段落。
简爱在刻画女性的内心世界方面花了大量章节，可以深切感受到那个时期英国女性在社会中的地位，教会学校的虚伪和残酷，家庭教师的地位低下，上流社会的奢侈浮华。书中提到的几个有个性的女性代表，她们都曾受到较好的教育，一个是她在教会学校认识的女孩海伦死于伤寒，一个是她的老师校长Temple小姐后嫁人，再就是她的两个最后相认的姐妹。对罗切斯特的身世背景以及其怪异的性格和庄园内的疯女人也刻画的很成功。
《Jane Eyre》读后感(三)：Review on Jane Eyre
ome books are to be chrewed carefully,while others are to be swallowed only.Jane Eyre is a book that can give me much inspiration.As is known to all,it is a classic which still has much influnce amoung people today.Its author,Charlotte Bronte,created an immotal character who can blaze continuously as the time goes by.When I was reading it,I could feel my emotion was going up and down with the fate of Jane.However,Jane does not need sympathy,for her self-reliance can help her survive even in the most unfavourable environment.On the day before leaving Gateshead,she cries out her freedom declaration to Mrs.Reed.It is such a relif to the readers to see a victory over the wicked.The instinctive action shows that everybody thirsts for the justable right of being respected and dignity is the trait that should not be dispised.
Jane's introspection guides her to stride to the right direction.Being tired of the rigid life in Lowwood,she plans her future reasonably and steps forword with an extraordinary brave heart.Maybe I am not comparable with Jane's calmness and reason,I do have resonance with her when she follows the voice of the inner heart.Sometimes we are too easily bewilded by the too fanciful world or the seemingly reasonable rutine life to pursue our previously set goals.And it is pretty necessary to have a thought for a while for the question: What do I want actually？
From Jane,I am again convinced that independence is the fundamental element for a girl to fufill her hope.And it also works in the love affairs.Every one longs for love, happiness,but one usually cannot gain them without proper evaluation towards himself.Around us there are girls who tend to give up themselves to pleasetheir boyfriends and don't know how to stick to their own principle and thought.Easy gained,easy lost,human has the defect that we usually take the things come easily for granted.If you devoted yourself to your lover,he may not cherish you as that you satisfy his appitite just according to the condition.In the relationship with Mr.Rochester,Jane is rather reserved at the beginning,and it is her self-respect and clear-headedness enables her to do so.Though she have special feelings towards the hero,she does not hold extravagant hopes.As usual,she performs her duty well and has the future sensibly in mind.That rouse greater interest from Mr.Rochester.At the some time,the proper distance from Jane leads to stronger wishes to get close to.Interestingly,it is a common phenomenon amoung lovers.We can see that it is advisable to behave yourself moderately when your want to burn the fire of love within someone,and Jane sets a good example for us:loving yourself is the prerequisite of being loved.
What I admire Jane most is her judgement.Being an English major,I am more sensetive than sensible when solving a problem.Yet Jane sheds light on my mode of thinking.When she has known that she would be an actual mistress if she keeps being with Mr.Rochester,she leaves him decisively.Though I appreciate her reasonto do so, I consider it more acceptable to run away with her lover.Since I believe that sometimes true love can conqure everything.Be it lawful of illegal,as long as you love each other and the result of your action will not do harm to others,elopment is also ok.lol~ After all,choosing partner is personal choice and should be respected but to be interfered.
The author portrays Jane Eyre in an generally consistent character, except when Jane gets along with St.John,she show somehow obedient.I am a little puzzled by that ,and I guess,firstly, it is because Jane cherishes her cousin too much who she has been yearning for.So She tries her best to please him.Secondly,St.John is an undoubtedly loyal servent to God.Under the name of religion,she respects her cousin a lot and consider his word and dreams holy.(Charlotte's father is a clergyman,so she has limitation on judging the affairs relating to religion unbiasedly)Even so,her humble reaction to him is not what I am pleased to see.When she obeys St.John timidly,Jane becomes a girl foreign to me.
Moreover,I don't like the plot of the novel though I don't deny it is partly because I have already known the ending of the story because of the Chinese version I have read.When Jane is on the edge of hunger,she encouters the kind St.John and his sisters.Consequently,it turns out that they are all her cousins.What a coincidence!Regretfully,I don't like this kind of plot which seems unnatural.
After chattering a pile of masses,I would like to say,I am greatly impressed by Jane Eyre's character and I believe whenever I encouter some difficulties in my life,once I think of Janic unconqurable spirit,I can take courage in both hands and carry on.
《Jane Eyre》读后感(四)：Unrealistic love
It's the first original masterwork I've ever read. I got the book at age of 13, if I read it at that time, I would be attracted by the beautiful loving episodes. But now, I don't think it's a charming story.
Jane Eyre's childhood was miserable, bein g treated badly by almost everyone aroundher. Of course there was warmth given by her teacher and friends, just like other stories do, which made Jane braver to face the world independently. Afterwards she met Mr. Rochester, her Mr.Right, and fell in love with him irresistible.
Then the story totally changes to a vulgar love story, I can't see how Jane grows up to have lofty ideals, it seems that her childhood experience makes no effort to her adult life. It's not a story to tell you that women can be great independent, but to tell you that fate means a lot in a person's life.
I don't believe in fate and I don't think the ending should be ideal, it's off the truly life.
I don't like it, in a way, a perfect story. But we translate Jane Eyre to 简爱, loving simply, that's amazing.
《Jane Eyre》读后感(五)：equality of soul
There are fictions,like fairy-tale and children's story,seem to lose its power gradually in the process of getting matured.In this sense, they are more suitable to be familiarized at an early stage of life when fantasy and reverie are still part of our spiritual world.
As the Chinese title of Jane Eyre suggests, itself reveals an air of pureness and simplicity that resists rational analysis, with its regular passionate bursts of affections between Jane and Mr. Rochester, as well as the idealized personality and a perfect ending. Some may compare the impassion style of Charlotte Bronte to the works of the Chinese writer Qiong Yao, whose books also leaves a pure yet unrealistic impression on their minds.
All being said, I could certainly be deemed as a lucky person to finish Jane Eyre when I still have faith in perfection and idealism. The seemingly cliche of plot aside, its beautiful language,the texture,the rhetoric features adopted fascinates me a great deal. Though the tense and several phrases indicate its quality of reminiscence,it still provides a vivid sense of reality, of the credibility of the things happened before. Meanwhile, I admire the excellent deｓｃｒｉｐｔions of scenery, of person, and of psychological development employed by the writer.
《Jane Eyre》读后感(六)：A psychological interpretation of the images in Jane Eyre
Jane Eyre by Charlotte Bronte is a celebrated autobiographical novel filled with vivid images from chapters in her own life. The successful employment of those images not only makes the novel pleasant to read for the readers, but also strengthens the narration and brings out the theme. When the author uses an image repeatedly, it can be given a specific symbolic meaning. In Jane Eyre, Bronte portrays the recurrent images – the color red, the red-room, winter sceneries and Gothic images – with great detail. She effectively employs the deｓｃｒｉｐｔion of those symbols to convey the protagonist’s inner state and psychological development.
One example of symbolism is that Bronte gives Jane a powerful sensitivity to different colors in her environment as a reflection of her psychological state. Every place Jane goes, from Gateshead to Lowood School, Thornfield, Moor House and finally Ferndean, the significant colors shift. Which color Jane sees depends on her emotions during various scenarios. Those colors in turn create a visual image for the readers and contribute to the overall understanding of Jane’s character. Bronte skillfully uses the symbolic colors throughout the novel, especially the color red. She first introduces the color red in the “red-room” scene as a symbol for violence and oppression. After cousin John Reed beats Jane in a fight, she strikes back at him and is then punished by being locked in the “red-room” where her uncle Mr. Reed died nine years ago. Bronte describes the room as being decorated with an excessive number of red images: “massive pillars of mahogany,” “curtains of deep red damask” (70), the red carpet, a crimson cloth that covers the table and the walls of “a soft fawn colour, with a blush of pink in it” (70). Bronte adopts the color red to create a solemn environment that is both relentless and depressing for Jane. Red exerts its powerful sensational stimulus on her, turning the world more horrifying than ever in her eyes: Jane notices “the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall” (73). Since she believes that her uncle’s ghost would revisit her in the red-room, the color red catalyzes the formation of the vision – a phantom carrying a lantern coming for her. From the readers’ perspectives, red is the symbol for blood and violence as Jane’s head still “bled with the blow and fall” (72). Moreover, the dark-red dominated room gives the readers a sense of immersion, simulating the unbearable oppression Jane feels, both physically and mentally. Jane is imprisoned in this red-room that almost suffocates her until she finally loses consciousness because of fear of ghosts. In her mind, Jane feels herself stuck with the terms “naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night” (72) under the tyrannies of the Reed family. In this case, the color red embodies the oppression that rouses every element of revolt in Jane.
Just as the symbol red is an important element in the red-room episode, the red-room itself gains symbolic value as Bronte repeats this image throughout the book. The mention of the red-room later at various stages of Jane’s life contains an echo of her feelings while she was in the red-room. The recurrence of the red-room also seems to parallel Jane’s psychological development. When the red-room episode first takes place, Jane completely loses herself as her fears and violent grief overwhelm her. Then at Lowood School, when Mr. Brocklehurst openly humiliates her for being dishonest, Jane recalls the red-room, which reminds her of the oppression and how everyone abhors her at Gateshead. She is terrified by the vision of being despised by everyone in the school, a situation equivalent to imprisonment. She wants to rebel as “an impulse of fury against Reed, Brocklehurst and Co.” (128) rises in her. However, this time, she “mastered the rising hysteria, lifted up my [her] head, and took a firm stand on the stool” (130). Later, with the help of Helen and Miss Temple, Jane regains her reputation of innocence. Bronte shows how at Lowood School, Jane learns to handle injustice better and rebels against oppression in a smart way. Later in the book, on the night when she decides to leave Mr. Rochester, the red-room symbol reoccurs. Jane “dreamt I [she] lay in the red-room at Gateshead” (410). She is torn between her love for Mr. Rochester and losing self-dignity by becoming a mistress. Jane feels confinement and oppression again since being a mistress deprives her of self-respect and an equal soul with her master. Bronte masterfully repeats the red-room scene here not only to reveal Jane’s inner struggle, but also to smoothly lead to her leaving Thornfield the next morning. In order to pursue freedom and equality, Jane is now able to conquer her emotions with self-assurance. By portraying Jane leaving Thornfield with her firm independent will, Bronte highlights Jane’s psychological maturation: with a rebellious nature, Jane breaks through confinement and pursues independence both emotionally and intellectually. Thus, the recurrence of the red-room clearly parallels the mental growth of Jane Eyre as she undergoes different events in life.
As Bronte depicts Jane’s sufferings from the cruel and indifferent real world, she materializes the emotions of the character into symbolic cold and winter sceneries. At the beginning of the novel, when little Jane is reading Bewick’s History of British Birds at Gateshead, Bronte carefully describes the vignettes in the book which “gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking” (65). All these bleak figures match the loneliness and sorrows in little Jane when she is alone and completely at the mercy of the Reeds. Just as a little bird struggles at the bleak solitary shores, Jane feels abandoned and cold in her Aunt’s house because no one treats her kindly. Similarly, Jane’s feelings for St. John are blended into the images of snow and ice. Bronte describes St. John as such a cold and almost emotionless person and he also always appears with a rain or snow storm in the novel. After Jane resides in the Moor house, Bronte sets St. John’s visit to her on a snowy night: “it was beginning to snow: the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls: by twilight the valley was drifted up and almost impassable” (474). St. John appears at her door and he is wearing a cloak “that covered his tall figure all white as a glacier” (474). The snow and ice symbolize the personality of St. John, a hard man who is “cold: no fervour infects me [him]” (481). Jane states during one of her interaction with St. John: “His reserve was again frozen over, and my frankness was congealed beneath it” (494). As passionate as Jane Eyre is, St. John’s indifference creates a stark contrast. What is more, Jane feels that she is “under a freezing spell” (496) because St. John exerts a powerful influence on her, thus restraining her freedom of mind. Jane later recalls to Mr. Rochester that St. John is “cold as an iceberg” (546). The connection made to all the images of coldness is a reflection of Jane’s internal world: she feels cold and empty around St. John. Those icy symbols stimulate the sensations of the readers, making them share the feelings of the protagonist better and sympathize with her.
ronte also incorporates abundant Gothic elements, including the old mansion, the inexplicable events that contribute to the suspense of the novel and the protagonist overcome by great terror, into the novel. They manifest the psychological and emotional tension in Jane. The Gothic imagery is most prominent at Thornfield, an old mansion located in an isolated place, secluded by “mighty old thorn trees” and “quiet and lonely hills” (166). Bronte starts to build the mysterious atmosphere at Thornfield since the next day of Jane’s arrival there. Mrs. Fairfax introduces her to the third floor of Thornfield and the furniture there conveys an air of eeriness to her. Jane notices portrays of strange flowers, birds and human beings on the heavy bed and she imagines they would look stranger “by the pallid gleam of moon-light” (173). The room has “the aspect of a home of the past: a shrine of memory” (173). These Gothic features of the house create a sense of darkness and entrapment, which is the first hint of Jane’s fear of the unknown and foreshadows the dark secret hidden in the house. Towards the end of that visit, Jane hears the “tragic” and “preternatural” laugh from the attic for the first time (175). From then on, she is constantly troubled by the laugh alleged to come from Grace Pool. By doing so, Bronte gradually builds up the threatened feelings in Jane. Then on the night before Jane’s wedding, Bronte intensifies the Gothic effects as she dramatically reveals the source of the laughter – a ghostly woman with “red eyes and the fearful blackened inflation of the lineaments”(371), a Gothic symbol. This event challenges Jane’s state of mind to the extreme as she loses her consciousness from terror, therefore marking the peak of her emotional tension. The different Gothic imagery signifies the progress of Jane’s inner tension. The terror and suspense created by the Gothic images predict Jane’s extreme dilemma in Mr. Rochester’s bigamy, followed by an exploration of sense, sensibility, and the conflict between morality and sin. Bronte makes use of the mad woman, a Gothic symbol, to frame Jane Eyre as a passionate rebel who is brave enough to break through conventions and claim independence with self-assurance. Her adaptation of the traditional Gothic effects to define an independent modern woman is innovative.
ronte has a sharp eye and a unique perspective for images, including colors, domestic settings, natural sceneries and Gothic imagery. She captures the details and transient changes of those images and imbues them with the emotions of the protagonist. These symbols, transformed into emotional creatures, converse with the readers about the internal world of Jane Eyre. The symbolic images immerse readers in the same environment of Jane so that they can feel her sadness, loneliness, rebellion, fear and perseverance. Jane’s psychological maturation reveals itself completely before them.
《Jane Eyre》读后感(七)：《Jane eyre》读后感
书读了几年了，一直没读完，忘了是哪年买的了，11年？10年？当时就是觉得自己一定要看完它，对它特别有感情。有种一见钟情的感觉；记得看到很精彩的地方，简爱和先生要结婚了，在一间屋子里看到其妻子，小恐怖，但是很扣人心弦，找机会读完它。之前就是她被寄养在舅妈家，后来给扔到修道院，然后自强不息，成绩很好，到先生家当老师，给小孩当老师，小孩好像是先生喜当爹的孩子，先生被简爱的热情、才情、幽默、和爱情给俘虏了。又看了几页简爱，由于年代久远，里面的语言有些生涩，但是过去的人写小说的那种优雅和骄傲却是我喜欢的，一旦尝试过，可就回不去了，所以就克服一下，继续读下去。现在看到jane 正在打量Rochester 的结婚，返酸水呢，大量对相貌和服饰的描写。看了第17章，Jane 和她爱的Rochester 重聚，描述了她复杂的心情，霸道总裁的诱惑和魅力，其实看了些许心理学的书，读了好多英文、中文、写了好多东西，又经历了些事情，现在看书很快，里面的生词也在慢慢学着去理解、去看、最终去用。看了大半个chapter,感觉很好，本身就喜欢读，读时候很享受，读完又很有成就感，哈哈哈～ 就爱磨自己，越磨越美丽、越磨越幸福！ 今天看了21和22两章，21章花了40多分钟，22章进入状态了，20多分钟就看完了，说Rochester 的朋友mason被人追杀，Jane 帮Rochester 处理mason的伤，两人算是共患难了；22章，一次和客人聊天聊到了Jane 婶婶一家，Jane的表兄学坏，后来把自个儿家的钱折腾没了好多，自己也给折腾死了。她婶婶也病了，精神崩溃，神智不清，Rochester 问她，你不是没有家人吗？Jane 说，他们当时很有钱，不想要我；这回她就打算回去看看；婶婶深深交代了3年前她叔叔想要收养她，婶婶给瞒下了，跟jane坦白的桥段，还描述了他们一家的状况，大女儿照顾妈妈，二女儿对母亲漠不关心； 以后我可以引导我的朋友和家人喜欢我喜欢的东西，并且让他们帮助我；圈子就在于引导和选择；以后也可以跟师丞聊聊我喜欢的古典文学，跟他培养一个共同的兴趣爱好。【还有数学】 2017/9/28 我一定得把这本书看完了，我看了这么久，看不完对不起自己和陈珅。I shouldn't be that lazy and useless, should have been more activated and mingled more with the family. 真希望自己是在18岁的时候看完的这本书，那时候就是青春啊，朋友啊，男孩子啊，事业啊，也没有想过自己真的喜欢什么；爱好是什么；里面很多简爱和Rochester 暧昧的情节，她被送到孤儿院，然后品学兼优成为家庭教师，去雇主家干活，爱上了雇主，和他喜当爹的女儿成为了朋友；但是雇主又要跟别人结婚，楼上还藏了一个mrs grace Poole, 他已经疯掉的旧情人，简爱受不了，她的婶婶病危，她又回去照顾；这会儿又回来了。 都是那种小女生的情节，不过也透着一股韧劲儿、智商和智慧。还挺励志的。 2017/10/5 我看到23章，简爱要走，然后rochester跟她暧昧，说他们是朋友、别忘了他之类的，然后简爱跟他表白，rochester向她求婚，很扣人心弦的一个章节，有一种有情人终成眷属，以及所有的努力没有付诸东流的感觉，佩服简爱的勇气、她的果断与智慧，读得刚刚超过一半，还不知道后面的情节呢；我读它主要是为了还我一个少女梦，青春时候向往的耐力、智慧和能力，如果像艾力说的那样，为了学英语、学写作的话，我可能至少还要再读三遍以上，这一遍是为了了解情节、享受书中的韵律，下一遍为了查生词、再下一遍，研究写法，学习；最后写书评、读后感，之后还要多读相关的书评之类的；先不给自己那么大压力，这本书我就读两遍吧，第二遍查看生词。感觉三十岁之后就不怎么读新书了，都是把之前的经典重新翻看好几遍；三十到三十五岁之间，我决定将它做成起承转合的几年，读之前的书，回顾以前的路，找到合适的新出路，掌握新的更加适合自己的生活方式； 2017/10/6 午睡之前看了半个章节，第24章的前半段，结果就做了一个19世纪的春梦，大家都说那个时代的英语，极其有趣，它这本书太有感染力了。终于看到了一半了，以前有没有看过这么多就不知道了，这回准备全看完，虽然还有很长，但是之前有过看《thinking fast and slow》的经验，估计这次也能够看完，这两本书我都打算看第二遍的，简爱就是查看生词，学习写法，《thinking fast and slow》就是查生词，学习里面的知识点，统计的、心理的，倒是没有看过多少经济学的。
2017/10/7
看完了第24章，他们的婚礼和誓言，还带上了Adele, 一个浪漫温馨的场面，霸道总裁对磨人的小妖精，简爱要求继续当Adele 的家庭教师，每年要求支付30磅，提供吃住，不要当金丝雀，不要珠宝和礼物。学霸亮了！当初她拿到这份工作也是因为学校里面学习很好！读书有用！
睡觉前看第25章，小别胜新婚的场景，Rochester 出差，jane特别思念他；我觉得作家不错，能够准确抒发出自己的情感，那么就能在生活中、事业上和情感上相对而言比较成功。当然对于女人来讲，彻底成功还需要判断力、睿智、统筹规划等等。我自己就是想在这些的基础上再要一块运筹帷幄，我要干大事，成为一个人物，爱跳舞、爱写作、爱成功、爱享受生活的人。
2017/10/8
25章里头讲的是结婚前，俩人的蜜恋，Rochester 从雨中回来了，jane 半夜出门迎接；
2017/10/10
25章很长，婚前各种激动，狗粮，之后jane 的房间里闯入了grace poole,把她的头纱弄坏了；吓到她和她未婚夫了；
开始26章，婚礼，进行着呢，有人打断，说Rochester 有一个活着的老婆，他不能再结婚。