暂停时间的手表

　　时间的手表……具体内容不再赘述，免得会有泄底之嫌。作者高博洋很娴熟地将一些编剧技巧毫无违和感地融入在了小说创作之中，我们可以很清晰看到文中人物如何一步一步几次三番被构陷到绝境之中，稍有起势就会跌入更大的低谷。我们还能看到文本中有着很明显好莱坞类型片戏剧结构的影子，如果再深一步，还能看到诸如“三一论”、“三幕式”、“激励事件”、“灵魂黑夜”等各种编剧技巧。但作者并非生硬套用戏剧方式创作小说，而是从始到终一直在塑造人物的同时讲出了一个扣人心弦的故事，看这本书，总会让笔者联想到日本作家东野圭吾。

　　The hero of the story is a real life loser， unemployed， in debt, lovelorn, suddenly learned that his ex-wife died in a car accident, leaving behind a son who inherited a large sum of money, but his own son did not recognize himself, in order to pay off the debt, the hero deliberately close to his son, but always can not get his son’s approval, at this time he got a time can pause the watch…… the specific content is not repeated, lest there will be suspicion. Gao Boyang skillfully integrates some of his writing skills into the novel, and we can clearly see how the characters in the novel are trapped in a hopeless situation, step by step, several times, any sign of improvement, and we’re headed for an even bigger trough. We can also see in the text a very clear shadow of the dramatic structure of the Hollywood genre. If we go further, there are also various writing techniques such as “Trinity”, “Three-act”, “Inspirational events”and “Dark night of the soul”. But rather than writing a novel in a histrionic, theatrical fashion, the author creates a gripping story from start to finish, telling it with characters that have always inspired writers from Lenovo to Japanese author Keigo Higashino.