《福尔摩斯：基本演绎法 第四季》观后感精选10篇
《福尔摩斯：基本演绎法 第四季》是一部由约翰·波尔森执导，约翰尼·李·米勒 / 刘玉玲 / 艾丹·奎因主演的一部剧情 / 犯罪 / 悬疑类型的电影，文章吧小编精心整理的一些观众的观后感，希望对大家能有帮助。
《福尔摩斯：基本演绎法 第四季》观后感(一)：渐入佳境的第四季
经历了第一季的争议，第二季的稳定和第三季的疲软后，个人感觉elementary在S4中重新又活了过来，虽然听说收视率让人心塞，不过好消息是第五季已经续订了。这一季的剧集总给我一种换了编剧的感觉，虽然并没有。从题材上，有很多也让人感觉很新颖，包括上周刚播出的末日逃生者、还有上上周的超人遇刺，以及骗子女孩等等……另外， 对经典作品巴斯克维尔猎犬改编的那集也让人觉得非常值得一看，即保留了原著的感觉，又加进了新的故事。各个案件故事也走得很流畅，有一些恰到好处的转折，但并不显得很刻意。福爹也不讨人嫌，至少比哥哥顺眼多了……
这一季华生的衣品仍然没有降低，lucy liu不重样的衣服也让人觉得很赏心悦目。除了最近刚出现的米福的CP让我这个福华党觉得有点膈应之外，别的剧情方面也没有明显的槽点，没有脑残的推理。这一季总体保持在比较高的水平上。
前面S1-S3都有在线可看，S4只能在A站上看了，希望S5能有平台引进。另外，据说下周要分上下集了，好期待。
《福尔摩斯：基本演绎法 第四季》观后感(二)：20160305, s04e15, follow~~~~~~~~~~~~~
20160305, s04e15, follow~~~~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(三)：20160427, s04e22, follow~~~~~~~~~~~~~~~~~~~~~~~~~
20160427, s04e22, follow~~~~~~~~~~~~~~~~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(四)：A FEW NOTES
A cozy suspense show written by a group of truly well-read, avant-garde intellectuals who have a more than functional grasp of the true colors of the big apple, who are so good at word play and rhetoric just annoying enough to make you feel ashamed of your English. However, you really couldn't expect less from our friends who clearly have a strong British taste that has long been renowned for its adorable fixation on eloquence and elegance in speech. Just like what the first impression of Mr. Doherty, one of the creators, would be from his appearance in a 2009 comic-con promotion: polite, well-mannered and expressive. His response, explaining the writers' stand on the Joanlock chemistry certainly won him some immediate applause from the audience, as I quote, 'We just want to explore a great relationship that is beyond gender. There's definitely some chemistry, but not exclusively romantic.' It is clear that the refreshing perspective on the protagonists' partnership is not the only breakthrough that the show has been able to achieve. It is certainly not uncommon for TV shows to make an attempt on a multi-cultural ensemble feeling, but the challenge is how to avoid tokenism - how to shift the views' attention from the token identities, be it ethnicity, gender or skin color, to the beauty and flaws of the character itself. It is hard to say if there is a universal equation to make this possible, but if there is, I believe it will be more about what should be left out than what should be added in. Starting with common sense would be a good idea.As Ms. Liu said, everyone's got his place; everyone plays a role; that's probably the beauty of the show.
If a bone has to be picked, is it OK to complain about the ultimate test of my listening that Ms. Liu has put me to with her soft slurring from time to time？ I have to say it's been a while since the last time I felt this challenged, in a good way, for sure.
《福尔摩斯：基本演绎法 第四季》观后感(五)：20151114, s04e02, follow~~~~~~~~~~~~~~~
20151114, s04e02, follow~~~~~~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(六)：20160130, s04e10, follow~~~~~~~~~~
20160130, s04e10, follow~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(七)：20160123, s04e09, follow~~~~~~~~~~
20160123, s04e09, follow~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(八)：20151121, s04e03, follow~~~~~~~~~~~~~~~~~
20151121, s04e03, follow~~~~~~~~~~~~~~~~~《福尔摩斯：基本演绎法 第四季》观后感(九)：勿对比之前任何一部“福尔摩斯”
当有很多福迷都在诟病女版华生或者吸毒而略有病态的福尔摩斯，我只想将此剧当成一部侦探剧来看待。
导演剧情的精彩程度，思辨推理及细节掌控，远超大陆，港剧以及一般的美剧，每一集都值得碾磨回味的细节，演员和场景也保持于高水准，肢体和眼神都是戏，偶尔冒出来的笑点也是紧凑剧情中的放松。
第一部是最先看到的，颇有惊艳之感，后续几部随即猛追，密集追剧会有疲惫感，但难能可贵每一部每一集都保持较高水准和节奏感。不足之处也是此类侦探剧的共同短板，形成了一定的套路，例如出现几个嫌疑人，分别进行问话沟通，表象上最有嫌疑的几乎肯定不是凶手....
整剧英英和美音同时出现，伴有大段的台词，颇为享受。
作为观众，编剧适中扯着那根弦---就是不让男女主发生些什么，这是纯粹的友情和同事之情。这种恰到好处的端着，也会让成熟观众会心一笑。。
《福尔摩斯：基本演绎法 第四季》观后感(十)：20151213, s04e05, follow~~~~~~~~~~~
20151213, s04e05, follow~~~~~~~~~~~