The Picture of Dorian Gray and Three Stories的读后感10篇
《The Picture of Dorian Gray and Three Stories》是一本由Oscar Wilde著作，Signet Classics出版的Paperback图书，本书定价：20.00元，页数：300，文章吧小编精心整理的一些读者的读后感，希望对大家能有帮助。
《The Picture of Dorian Gray and Three Stories》读后感(一)：1st book in 2017
2017年第一本书，用时50个蕃茄，25小时
本小说写于1890年，我从来没看到过这样一本小说，它确实是小说，但更多的像是一件艺术品，这是王尔德唯一一部长篇小说，即使是经典如《傲慢与偏见》，都没有这种震撼感。
主角是一位年轻貌美的青年男子，心灵像白纸一样纯净，但是来到伦敦以后，他在荒淫、蘼烂的上流社会中彻底堕落。画家好朋友惊叹于他的美貌与纯净，给他画了一幅绝世画像。他与魔鬼交易，容貌与画像交换，几十年没有变过。但是他永远无法停止灵魂的堕落，有一天他发现画像竟然有变化了，(好像是有皱纹了，书中并没有详细介绍),他才发现原来自己的容貌真的和画像交换了，于是他把画像藏起来，一方面害怕人们知道他的秘密，另一方面贪恋着自己的容貌，内心深处永远挣扎与扭曲，灵魂永远得不到解脱，在这种虚伪的人生中他感到疲惫不堪，最后在遇到了另一个纯净的女孩儿后，他终于鼓起勇气想要罪犯的灵魂重获新生，他举起利剑刺向了画像，与魔鬼的交易终止，他变成了一个肮脏丑陋的老头儿，但是他的灵魂自由了。
感受：
我比较喜欢这种写小人物的挣扎，没有复杂的故事情节和人物关系，没有忧国忧民和拯救世界的英雄情怀，基本上都是心理描写和内心斗争。人生就是一场旷日持久的自己与自己的战斗，我喜欢这种战胜自己的结局。道林格雷虽然一生荒诞离奇，甚至充满罪恶与丑恶，但其实他一直有一个干净的灵魂。始终挣扎着，斗争着，没有放弃。当我们用一生的忙忙碌碌去苦苦寻求时，谁会发现我们每个人的一生其实就是一副艺术品？
听说过一种论调，金钱乃万恶之源，格雷是继承了叔父的财产后一步步走向堕落的，为什么大多数小说中都是在批判上流社会的蘼烂，歌颂贫苦小人物中的美德？就是当代中国，周围的例子也比比皆是，娱乐圈的荒唐，流学生的放荡，小康家庭的出轨，猛涨的离婚率，当我渐渐长大，我真的不敢相信，身边竟出现了如此之多的丑闻，这不能不说，金钱，确实带给人们罪恶。古人云，饱暖思淫欲。身处现代社会的我们，是否要反思，我们追求的目标是否值得？
人之初，性本善还是性本恶，这个我弄不清，我只是发现，环境对人性的影响太大了，尽量远离一切罪恶吧，保持一个纯洁自由的灵魂，这样才能幸福的活着，就像格雷说的，快乐与幸福根本不是一回事儿。
《The Picture of Dorian Gray and Three Stories》读后感(二)：Life copies art, but life can never be higher than art.
I reread the book, The Picture of Dorian Gray. Reading the original edition is complete an enjoyment. And this is my book review.
First, Dorian Gray, the central figure of the novel, is certainly a visible personification of wonderful and incomparable beauty. Wilde gave most of his genius and love to this charming young man. When Lord Henry first saw the portrait of Dorian Gray, he described Dorian as:
quot;He is some brainless beautiful creature who should always be here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence.”
From these wonderful words, we can know the author’s passion on Dorian Gray. For some extend, the author extremely wanted to make his readers to guess how terribly charming the hero would be. This kind of beauty is completely beyond common life. This beauty definitely attracts readers’ attention, because through it the impression that is different from the tedious, monotonousand real world is expressed to readers by the author. As a consequence, the author created a perfect hero who satisfies readers’ tastes in his imagination. Basil considered him as all his art and his dream, and showed that Dorian’s beauty was totally beyond art to express.Dorian defined for the artist the lines of a nearly new school that had in it all the enthusiasm of the romantic spirit, as well as all the perfection of the Greek spirit. Dorian stands for the harmony of body and soul. What’s more, his existence is art and beauty.
econd, Dorian is a practitioner of beauty. Henry possessed his enchanted, poisonous theories, which had a very dreadful influence on Dorian and persuaded Dorian to make flesh of his evil philosophy. With the influence of Henry’s poisonous words, Dorian gradually had a burning desire to know everything about life. As a consequence, Dorian started to form a strong passion for all kinds of pleasures and sensations. On the other hand, the yellow book that Lord Henry gave Dorian was also an obvious factor to his corruption. Tempted by the book, Dorian began to practice a new Hedonism in life. He pursued beauty in studying music, religion, perfumes, and jewels. All in all, he tried to live out a marvelouslife, which indicates his aestheticism.
Last, through the final death of Dorian, we can see Wilde's aestheticism thought. The picture represented Dorian’s real soul. Of course, Dorian and the picture had conflicts. When Dorian was told that his beauty would fade but his picture would be young and beautiful forever, he showed that he would like to sell his soul to Devil and let the magic picture grow old and ugly instead of him. With the mad wish coming true, the stance between life and art switched. He experienced as many sensual pleasures as possible but his face was still innocent and beautiful. All the while his portrait aged and recorded his every soul-corrupting sin. Even though Dorian kept his youth and beauty, but he paid a terrible price for it. That is to say, his beauty had destroyed his soul, even his life. At the end of story, Dorian intended to kill the picture to destroy the tracks of sins. However, he did not expect that he would suicide himself old and ugly while the picture came back to beauty and youth.
Life copies art, but life can never be higher than art. As a consequence of the eternal beauty of art, art is coming from life, above life and away from life.
《The Picture of Dorian Gray and Three Stories》读后感(三)：At My Peril
In my third attempt, I finally completed reading the Picture of Dorian Gray, the only novel of Oscar Wilde, the Lord of Paradox. First two attempts failed at beginning chapters where Lord Henry obsessively enjoys his colloquial persuasions accompanied by endless arrogance and self-contradictions, bearing all the signatures of our always controversial author. Without reading a synopsis beforehand, I became bored rather quickly. This time, I have sufficient time to wait for the drama to jump in around Chapter 7 and the heat develops in Chapter 8, when Sibyl Vane is revealed dead. It always begins with death in a non-romantic novel. When more people die in the same pattern, the story is very likely involving a serial killers; otherwise, it is a cynicism about the wicked society. Wait, aren't they all？
The plot is following the popular theme of Devil's Bargain. When sitting for a portrait in Basil's studio, beautiful and innocent Dorian Gray meets Lord Henry, who points out the determined fading of youth. In desperate, Dorian cries out that it should be the painting that withers and he to keep his good look. He then falls in love with an adorable and talented actress Sibyl Vane, but after he kisses her, she tragically recognizes the artificiality of acting and loses all her talents and is later condemned harshly by Dorian, which leads to her suicide. In that very night, Dorian discovers that the portrait, by developing a cruel grin, is suffering the sins of his soul and he is clear of any business, simply regarding his fiancée's suicide as a play and him a spectator. His flamboyant life, under the apparent influence of Lord Henry, lasts for another twenty years until he cannot control his loathe to the boring painter and stabs him to death on the top floor of his mansion, where he keeps the secret of his aging portrait. The portrait has become too hideous to tolerate, so Dorian decides to be nice again in hope for a reversion. But it shows merely more of his wickedness and vanity. He wants to get rid of it so much that he tries to stab the painting. The magic is gone and Dorian is found dead in an ugly old man on the floor, with a knife in his heart.
The writing is abundant in what-logical-fellows-would-call exaggerated statements. This reminds me of some acquaintances who are always perfectly correct and possess absolutely no personal opinions. They lead the same kind of life that is unbearable to anyone but themselves. Yet they cannot help bothering others with their tedious assumptions and reasonings. World becomes much more vivid and fickle when one puts such words as "only", "always" and contradictions into one's language.
The novel must be very special to Oscar Wilde. When Dorian is young, Wilde is Lord Henry, who studies Dorian as a curious subject and imprints the recklessness into his subconscious. Wilde is also Dorian Gray who was young and famous in his twenties and was sent to jail in his forties. From the two portraits of the author himself - one by Harper Pennington and one by Henri de Toulouse-Lautrec years later - one may infer the change of the picture of Dorian Gray in the novel.
The take-home-message for every woman who has read this novel would be: Don't be Sibyl Vane. Women like defects that seem perfect, but you should be able to recognize Dorian Gray and eventually kill your curiosity by all means when one shows enormous passion but is capable of loving no one but himself and cares to share the burden of no one including himself. People often neglect this when they discuss the various corruptions in Dorian Gray. "The only way to get rid of a temptation is to yield to it", and then disregard it. This is the corruption of women that corrupted men shall not like to acknowledge for their sense of superiority is tampered. Everyone of us has a portion of Dorian Gray in us, but we are hindered by the lack of a painting taking our burdens. People who care nothing about consequence, like Lord Henry, are far from boring but should remain a not-so-serious play. And people who are bold enough to "read the symbol", like Dorian Gray, simply make a more spectacular show. We mock at ourselves then the pleasant life resumes.
The truly joyful moments of reading this novel occur when I could pinpoint the familiar sayings to their original contexts. Other than that, the book should be put aside. As the preface says: Those who go beneath the surface do so at their peril.
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第三次打开《道林格雷的画像》（我觉得还是不翻译名字了），这次终于看完了王尔德唯一的小说。前两次阅读都停在开始的地方，Lord Henry在那里不停地吹嘘他那些糊弄而狡黠的言论。因为没有看故事梗概，所以我很快就觉得故事有点无聊。这次下定了决心，一口气看到了第七章，这才有些冲突，而Sibyl Vane在第八章自杀更让小说的情节开始不断升温。除了爱情小说，死亡的情结才是一般故事的开端。当有更多的人死于同一种方式，八成是个有连环杀手的侦探小说，不然的话，就是对我们世风日下的社会的讽刺。噢，其实哪个不是讽刺呢？
故事的大概就是魔鬼的契约，类似《浮士德》之类的故事。（其实我很讨厌写梗概，下次不如直接粘贴复制吧。）年轻的Gray在Basil的画室认识了Lord Henry。这个大他十岁的贵族说了很多大胆而奇怪的言论给Gray，让那时候还单纯的Gray意识到人生苦短，青春尽在玩乐和享受。Gray在冲动之下对着Basil给他的画像叫喊，希望是画像上的人不断变老而他可以像画像一下永葆青春。后来Gray认识了美丽而有才华的女演员Sibyl Vane，两个人订婚，接吻，结果Sibyl悲剧地意识到了表演的虚假而丧失了自己的才华。Gray无法忍受不能表演的Sibyl于是抛弃了她。Sibyl自杀。就在那个晚上，Gray发现画像上出现了抹残忍的微笑，似乎在帮他承受他应该承受的罪过。像由心生，而Gray自己则和这一切毫无关系，他觉得Sibyl的自杀就像一场戏剧的落幕，自己不过是台上的观众，没有什么关系。故事跳到二十年以后，Gray愈发的贪图享乐且不计后果，很多和他一起混的年轻人也被他带坏了，而他也因为厌恶就在自己家里的顶楼里用刀扎死了最初的画家。画像越来越面目可憎，Gray最终忍无可忍想用刀毁掉画像，但魔法解除了，他死在了自己的刀下，而画像上丑恶的面容已经转移到他身上，画像变回了最初的状态。
和王尔德的其他作品一样，故事里充满了各种偏激的不被逻辑所容忍的论断。这让我想起了认识的几个强调逻辑却丧失自己看法的人，他们的生活除了自己没人可以忍受，但他们却总是不厌其烦地像旁人鼓吹无聊的假设和推理。如果每个人说话都绝对一些且自相矛盾一些的话，世界会变得有意思的多。
小说对王尔德来说一定很特殊。当Gray年轻的时候，带坏他的Lord Henry是王尔德的化身，他像做实验一样研究Gray的腐坏之路。但王尔德也是Gray，在二十多岁的时候名声大噪，四十多岁却进了监狱。王尔德本人也有两张画像，其间的对比大概就是他想表达的格雷的画像的演变。
至于所有看了此书的女人，千万别当Sibyl Vane。女人总是喜欢看起来完美却又有很多弱点的东西，但你们得能认出Gray并且不择手段地解决掉自己的好奇心，尤其是当有人对你表达了无比的热情，但这种人却没有爱除了自己以外的人的能力且连自己的责任都不愿意承担。大家在讨论小说中的各种警示的时候常常忽略这一点。就像王尔德自己说的，“摆脱诱惑的唯一途径就是被诱惑”，然后离开。这种女人的变化是自以为是的男人们不愿意承认的，大概是减低了他们的优越感。其实每个人都有一部分Gray的潜质，但因为没有一副画像帮我们承担责任，所以我们总是碍手碍脚。那些不计后果的时候，比如Lord Henry，确实不无聊，但不过是场不太认真的游戏。那些愚勇到把这些游戏奉为圣经的人们，比如Gray，不过是一个更精彩的话剧。通常，我们还是自嘲一番，然后快乐的生活继续。
阅读这本小说最快乐的时候就是在原文中找到那些耳熟能详的话。至于其他的，这本书还是放在书架上待着比较好。就像序言中说的，究根诘底的人后果自负。
《The Picture of Dorian Gray and Three Stories》读后感(四)：Bored of life.
里面有对Boredom，Life，Marriage的精辟描述。力荐下~~
我最喜欢的人物还是Lord Henry，看似有点邪恶，被很多正常人讨厌，总是充满消极的论调，带给人不一定好的影响。
可就是只有他，才是怀有大智慧的人。消极厌世但也适度地随波逐流，能看清善恶却不轻易被善恶操纵。
作品的人物一部分是作者自己的化身，把Dorian Gray，Lord Henry中和起来，也许就是王尔德。他没有办法做Lord Henry，因为无法从身体里面驱逐出去Dorian Gray，因为他拥有Dorian Gray一样的美丽容貌，他又拥有和Lord Henry貌似的人生经历。
其实，也许Lord Henry才是他。。。
《The Picture of Dorian Gray and Three Stories》读后感(五)：那无与伦比的王尔德
那些充满智慧的话语，那些对生活讽刺性的解读，深刻的让人心痛。
摘录一下这本书里我比较喜欢的句子。
Real beauty ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face.
I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it.
The one charm of marriage is that it makes a life of deception absolutely necessary for both parties.
You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose.
You like everyone; that is to say, you are indifferent to every one.
I choose my friends for their good looks, my acquaintances for their good characters, and my enemies for their good intellects.
The value of an idea has nothing whatsoever to do with the sincerity of the man who expresses it. Indeed, the probabilities are that the more insincere the man is, the more purely intellectual will the idea be, as in that case it will not be coloured by either his wants, his desires, or his prejudices.
The worst of having a romance of any kind is that it leaves one so unromantic.
Those who are faithful know only the trivial side of love: it is the faithless who know love's tragedies.
You know more than you think you know, just as you know less than you want to know.
Young men want to be faithful, and are not; old men want to be faithless, and cannot.
Humanity takes itself too seriously. It is the world's original sin. If the caveman had known how to laugh, history would have been different.
owadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.
Men marry because they are tired; Women marry because they are curious: both are disappointed.
The people who love only once in their lives are really the shallow people. What they call their loyalty, and their fidelity, I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect - simply a confession of failure.
There are many things that we would throw away if we were not afraid that others might pick them up.
When one is in love, one always begins by deceiving one's self, and one always ends by deceiving others. That is what the world calls a romance.
It is personalities, not principles, that move the age.
eople are very fond of giving away what they need most themselves. It is what I call the depth of generosity.
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are.
Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.
I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality selects is absolutely delightful to me.
The real drawback to marriage is that is makes one unselfish. And unselfish people are colourless.
The reason we all like to think so well of others is that we are all afraid of ourselves. The basis of optimism is sheer terror.
To be good is to be in harmony with one's self.
eautiful sins, like beautiful things, are the privilege of the rich.
Women inspire us with the desire to do masterpieces and always prevent us from carrying them out.
There are only two kinds of people who are really fascinating - people who know absolutely everything, and people who know absolutely nothing.
The only way a woman can ever reform a man is by boring him so completely that he loses all possible interest in life.
One can always be kind to people about whom one cares nothing.
The one charm of the past is that it is the past. But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it.
We live in an age that reads too much to be wise, and that thinks too much to be beautiful.
When a woman marries again, it is because she detested her first husband. When a man marries again, it is because he adored his first wife. Women try their luck; men risk theirs.
Women love us for our defects. If we have enough of them, they will forgive us everything, even our intellects.
I like men who have a future and women who have a past.
Moderation is a fatal thing. Enough is as bad as a meal. More than enough is as good as a feast.
Anybody can be good in the country. There are no temptations there. That is the reason why people who live out of town are so absolutely uncivilized. Civilization is not by any means an easy thing to attain to. There are only two ways by which man can reach it. One is by being cultured, the other by being corrupt. Country people have no opportunity of being either, so they stagnate.
《The Picture of Dorian Gray and Three Stories》读后感(六)：It is the uncertainty that charms one. A mist makes things wonderful.
Youth smiles without reasons
eople adore beauty without any trace
Love begins when you're far way
He interests me the most when he is a secret
I would not ask you to stay
I know there must be something in life
That is not belong to me
You are one of them
We're listening to the same song
ut thinking of different person
You are the uncertainty that keep charming me
You are the mist that makes my life wonderful
嗯今晚想写诗
王尔德的句子好优美
Lord Henry说的一些话虽然不敢苟同
但总感觉蕴含着美意
Dorian的扭曲有些吓到我了
有魔力的画 一花园的丁香花 罩着薄雾的城市
一幕幕的场景最后在心里只变成了清新干净、星光点点的夜空
正视美 正视自己
从生老病死里面发现生命的美