《漫游世界建筑群》好看吗？经典观后感10篇

　　《漫游世界建筑群》是一部由BBC执导，丹·克鲁克山主演的一部纪录片类型的电影，特精心从网络上整理的一些观众的观后感，希望对大家能有帮助。

　　《漫游世界建筑群》观后感(一)：只是目录而已

　　我总是这样

　　过去发生的事 过不了多久就忘了

　　那些 好的坏的 悲的喜的

　　都已经不记得了

　　为了记住片中所说的每一处独特建筑

　　让这种向往之情永远存于内心

　　————————————————

　　目录

　　1.BEAUTY

　　GREENLAND——igloo冰屋

　　CHINA——四川乐山大佛

　　RUSSIA——Catherine Palace凯瑟琳宫

　　INDIA——戈那勒克中的寺庙

　　2.DEATH

　　EGYPT——Hatshepsut's mortuary tample丧葬神庙

　　GUATEMALA危地马拉——San Jose的亡灵节

　　——Yaxha（玛雅文明）

　　ITALY——热那亚的Staglieno Cemetery墓地

　　INDIA——Varanasi瓦拉纳西

　　3.PARADISE

　　EGYPT——Saint Catherine's monastery圣凯瑟琳修道院

　　CHINA——山西悬空寺

　　RUSSIA——Kizhi

　　INDIA——the temple of Sri Ranganthaswamy斯里兰卡 纳塔斯瓦米寺

　　4.DISASTER

　　GERMANY——Dresden德勒斯顿圣母大教堂

　　YRIA叙利亚——Palmyra帕尔米拉

　　USA——Berkeley University Stadium伯克利大学体育馆

　　AFGHANISTAN阿富汗——the Legendary Minaret of Jam贾穆宣礼塔

　　5.CONNECTIONS

　　RAZIL——Brazilian巴西利亚

　　YRIA叙利亚——Damascus大马士革

　　USA——New York Rockefeller Center洛克菲勒中心大楼

　　INDIA——Dharavi达哈维

　　6.POWER

　　ROMANIA——Palace of the People人民大会堂

　　YRIA——Marqab马安铝巴格城堡

　　USA——Evergreen常青林

　　TURKEY——harem of the Sultans 苏丹王的后宫哈仑宫

　　7.DREAMS

　　YEMEN——Shibam希巴姆

　　DOMINICAN REPUBLIC多米尼加共和国——Santo Domingo圣多明戈

　　USA——Eastern State Penitentiary东方州立监狱

　　HUTAN不丹——Trashi Chhoe Dzong

　　8PLEASURE

　　INDIA——Taj泰姬陵酒店

　　GERMANY——Schloss Neuschwanstein新天鹅堡

　　RAZIL——Teatro Amazonas亚马逊剧院

　　ITALY——Villa Barbaro巴巴罗别墅

　　《漫游世界建筑群》观后感(二)：人文之美

　　这是第一次对纪录片产生如此的兴趣，本是抱着学英语的角度找来看的。。。。。。学建筑的，大多在学校学习并接受的是功能、形式至上的现代主义建筑体系，有些建筑已被遗忘，我们知道柯布西耶，洛克菲勒中心大楼，书本却不会介绍悬空寺、哈伦宫。。。。。然而不管是什么建筑，甚至是橡胶这样的事物，却在主持人娓娓道来中显得生动、富有内涵而至关紧要。最重要的一点在于这些建筑跨越了国家，地区，种族，时代，然后发现建筑的建成与人类的历史，文化，信仰息息相关。。。。。。。

　　这个系列是以八个主题展开的。。。。。。

　　EAUTY 、DEATH、PARADISE 、CONNECTIONS、DISASTER 、POWER 、DREAMS、PLEASURE 。。。。。。。。

　　印象比较深的是悬空寺，清心寡欲之地（理论上的）。。

　　不丹，仰拍鸽子从建筑前飞起来的瞬间很是惊艳。。。。。建筑非常有特色，特地翻了一下地图，不丹与西藏接壤，还有尼泊尔。。

　　还有巴西利亚 、达哈维 ，这两个地点有很多相似之处，“离开了卫星城，巴西利亚什么都不是”（巴西利亚是著名的以柯布西耶的理念建造起来的城市，但是教科书上从未提及卫星城之类的）。。。。。达哈维也是如此，主持人说，它并非贫民窟，而是一个自给自足的小型城市，它为首都孟买提供养料，消化城市的垃圾，政府从未为他们做过什么，现在却要剥夺他们栖息的土地。。。。

　　《漫游世界建筑群》观后感(三)：【Note】靜止的藝術

　　【This is a story of architecture through humanity.

　　The architecture of power, of dreams, of death, and paradise.】

　　=====================================================

　　EP01 Beauty(格陵蘭冰屋、樂山大佛、聖彼得堡凱瑟琳宮、科納拉克太陽神廟)

　　1. Well, it's very shocking,misn't it？ Polar bear, shot. I feel shocked, but... But remember, this is not shot for fun, it's not shot by a tourist as a trophy. This chap's a member of one of the last true hunting communities in the world. He's a licensed hunter. These guys have to hunt to live, that's it. So this is... what's going to keep him and his family alive, the food, the skin, eating and selling. And that's the truth of the matter. But it's very moving, though, very moving. There it is, this wonderful beast, the polar bear... His plaintive expression is heartbreaking.

　　2. The igloo is a wondrous machine. The snow blocks, of course, are cold, but wonderful insulators, and mu body is hot. This heat melts the surface of the snow, and the liquid would run into the cracks here, freeze and seal them. So the whole thing really becomes a building of ice rather than snow, eventually much stronger.

　　3. Clearly in Buddhism, size mattered. The bigger, the more beautiful.

　　4. The ears, with the long earlobes. That reflects an Oriental idea of beauty, signifying a developed, refined human being. The eyes, with their transcendental gaze, that showa the Buddha is full of bliss, compassion, understanding. Little coiled buns of hair on his head, each like a little shrine, a diagram in itself to inspire and help meditation. On the top of the head is this bump, the bump that reflects the possession of a cosmic brain. That's the route to Nirvana.

　　5. Rastrelli is the architect, but this building's not about him. He was merely the means by which Elizabeth expressed her nature, her passions, her loves, her aspirations. This building is an almost shockingly personal portrait of a most unusual woman.

　　6. The Lord God gave us life and all things around us. He gave man the ability to create beauty and we destroyed it... I mean all this. It was man who destroyed it and man must bring it back, it's as simple as that. We must restore its original beauty, its grandeur... just as it was given by the Lord God. End of story.

　　7. When the temple was being constructed, tantric practices were gaining strength in northeast India. And in tantra, the idea is that power can be obtained from nature and contact made with the divine through the medium of the body. Sex plays a very important role. Sexual bliss is seen as akin to the joy, the ecstasy of enlightenment, of union with a god. So a building like this, full of sexual images are really images to do with divine practices. Sex, orgasm, is seen as opening a window onto the divine.

　　8. Here, a thoughtful young lady is giving a dog, I believe, a divine meal.

　　【總結：人與神 人之智慧 神之浩大 創造美】

　　EP02 Death(埃及哈特謝普蘇特Hatshepsut喪葬神廟、危地馬拉瑪雅古城Yaxha祭祀臺、熱那亞斯塔列諾Staglieno公墓、印度瓦拉納西)

　　1. What does survive is this rather wonderful thing, this false door, that allowed her spirit and soul to travel between this world and the next, to enter her temple and leave it for the underworld. What is striking though is that all the images of Hatshepsut and her cartouche, her name, they've been removed, brutally cut away. That's a frightful fate. So she's been, I suppose, consigned to oblivion, her name removed from memory. The intention is that that would give her a second, permanent death.

　　2. The ancient Maya saw the world of the living and of the dead as one and the same. Everywhere there are monuments to communicate between this life and the next.

　　3. The Maya are a problem, a paradox. They believe in utter desolation yet they built to last for eternity. They were a very sophisticated civilization, yet steeped in blood and murder. What is one to make of them？ I suppose the obvious point is that, for them, life was not held cheap, it was the most precious of things. And blood had to be given to the gods to allow the gods to do their job, which was to ensure that creation would go on, that the sun would rise each day. And so really, out of love the Maya killed. The Maya took life to ensure that life would continue.

　　4. And this city of the dead, like cities of the living, had this own social hierarchies. Your status in life would determine your position in death.

　　5. In this tomb, there is no promise of eternal life. Death is triumphant.

　　6. But in these picturesque surroundings, the beauty of the art makes death seem more noble, more familiar. An almost blissful experience.

　　7. Hindus believe if you die here, you are granted the great gift of moksha by Shiva. Moksha is the release from eternal and often painful birth, death and rebirth on the Earth.

　　【總結：為生而死 雖死猶生 死生相依】

　　EP03 Paradise(埃及圣凱瑟琳修道院、山西懸空寺、俄羅斯基日Kizhi鄉村教堂、印度斯里蘭格那塔斯瓦米寺)

　　1. Mountains represent the yin and yang of the Taoist universe. They have a shady yin side and a sunny yang side, opposites existing in harmony with one defining the other.

　　2. The sheer audacity of this structure has shocked visitors for centuries. It's more like the work of the gods than of man. Temple and mountain are one, the temple's embraced by nature, like a child in the womb. And that, of course, is just the point. This is a paradise, a paradise inspired by the power, the beauty of nature.

　　3. The beams work as cantilevers. The more weight that's put on them, the more firmly they're rooted into the mountainside. This very Taoist architecture, working with nature, drawing strength from the mountain itself.

　　4. The buildings within the enclosure are beautifully constructed out of pine logs. Here we see them. These logs have been squared and cut using an axe, not a saw. A saw damage the grain. An axe closes the grain. Protects the wood from damp. Stops the timbers from rooting. Here you can see how well cut they are with an axe. The joints are incredibly tight. Very straight edges. No wind will get through these two logs. And here you see logs meeting at this corner, all lapped together very tightly. No nails needed. No nails used. Beautiful quality, this has. It's sort of honest moral construction. All is revealed. It has a Christian truth about it.

　　5. It's really exhilarating to be among the people as they greet, as they adore, as they transport their god. The architecture and plan of the temple are ornamental and symbolic but also very functional, because together they create the perfect theater for the rituals enacted within them. I must say, standing here, one really does feel the temple to be the living, pulsating body of the god. A vision of the divine cosmos, a vision of paradise.

　　【總結：信仰之處 心之所安 即是天堂】

　　EP04 Disaster(德勒斯頓聖母大教堂、敘利亞帕爾米拉古城、舊金山市政廳、阿富汗賈穆宣禮塔)

　　1. For the place of Dresden, the rebuilding of the Frauenkirche was a matter of the heart. After the Frauenkirche had been consecrated, after the scaffolding had been taken down and the bells had been put in place and the cross was back on top of the dome. I said to my friends:"Now the Second World War is over for me."

　　2. Around 8% of it is original. Nearly 2000 fragments found among the ruins used to reconstruct it. A great jigsaw puzzle. An amazing piece of work. You can see at the back, there, the stone is damaged from the fire that raged here.The money for this came from around the world. The altar, for the whole church, all this, is very much an act of reconciliation.

　　3. It's sobering to contemplate the destruction wrought by... By time, by neglect, by the elements. To see the ambitious works of man laid in the dust. "Look on my works, ye Mighty, and despair!" But these are no mute ruins, no mute stones. One stands here in the evening as the sun goes down, and one can hear echoes of the past, really. Looking down this great street of trade, one can imagine the caravans, the camels, the merchants. It's all strangely alive. Very evocative. My goodness, one can almost feel their presence.

　　4. But, I say, a sad and tragic business. The looters did this mostly because they're poor. The poor are forced to pillage their own culture to live, to find objects to sell to the Western art market, ultimately. We are destroy our own history.

　　5. So this text here, this minaret, is preaching tolerance, it's preaching understanding between these two religions. That's what it's about. It's about making the point that they should live together in harmony, because they have so much in common.

　　【總結：過去與未來 自然與人類 建築是良藥 是災難本身 也是證據】

　　EP05 Connections(巴西利亞現代建築、大馬士革Khan As’ad Pasha及古羅馬朱庇特神廟遺址、紐約洛克菲勒中心、孟買達哈維貧民窟 )

　　1. Brasilia is a modernist's dream, architecturally stunning. It was to show how people should live together. The rich with the poor, workers and professionals. But now I've been to the satellite town, it's clear that this dream has failed and the workers, really, have been betrayed.

　　2. Along the trade routes leading to Damascus, traveled ideas, art and religion. But rather than dividing the city, different religions and people were absorbed to enrich the culture of Damascus.

　　3. And Damascus has survived and prospered because people of different religious faiths found a way of living together. The miracle of Damascus is its strong sense of history and identity. An identity that does not depend on one culture or religion.

　　4. It's incredible to think that Damascus was ancient when Rome became a power in the land. It was old when the Pharaohs ruled in Egypt. The city's had a turbulent history. Attacked by the Christian Crusaders in the 12th century, pillaged horribly by Tamerlane and his Mongols in 1401, but it survived. It's seen empires and tyrants come and go. It offers a fantastic object lesson in how people can live together, creatively, and in harmony.

　　5. High-rise buildings have been much criticized, but the Rockefeller Center is the model of how it ought to be done. It combines private profits with public benefits, utility with beauty. It's a solution to modern city living, not one of the problems.

　　6. It's, um, very organized, different communities, people are poor, but they maintain their streets, their houses, everything's cleaned and so on. And there's lots of industry going on. People have created this for themselves, their own enterprise, their own energy, their own money.

　　7. To visit Dharavi is like stepping back in time to witness the origin of cities, or the way people first learned to live together. But if Dharavi is to evolve creatively in the modern world, then its residents must be listened to.

　　【總結：人與城 人與人 創造 分裂 融合 支持 直至成為相互的一部份】

　　EP06 Power(布加勒斯特人民大會堂、敘利亞馬安鋁巴格城堡、新奧爾良常青樹奴隸主莊園、伊斯坦布爾哈侖宮)

　　1. And like all long, straight routes, it is a timeless symbol of power, of order, of a godlike determination to control nature and the affairs of man.

　　2. This long, straight boulevard, combined with this domineering palace, is the ultimate expression of an architectural dream that's haunted the imagination of despots for thousands of years. This is power personified. And I must say, this is the gloomiest expression of that dream I've ever seen.

　　3. This castle has a grim and brooding presence in the landscape. It's a dark place, really. An appropriate monument to a particularly bloody epoch of human history, the Crusades. The struggle between East and West, between Islam and Christianity, a struggle which started with the bloody taking by the Christians of Jerusalem in 1099. An event that shocked the Muslim world. Shocks it still, really. An act of barbarity undertaken by a religion dedicated to love. And this castle, played a key role in the Crusades, so, standing here, one cannot help but think about the legacy of that struggle. The fact that it still goes on, in a way. There's still religious wars. There's still bloodshed. There's still pain and suffering in this region. And this castle, in a way, and its history, marks the beginning of that tragedy.

　　4. In the United States, Greek Revival architecture had a particular meaning and importance. It almost represented the national identity. It represented civilization, liberty and freedom. But in the South it was favored for perhaps less noble reasons, because Greece had been an ancient democracy, but a democracy that supported slavery.

　　5. It's incredibly moving and important that the grand mansion house and the humble slave quarters survive on the same plantation. This beautiful architecture is not tainted by slavery, but is part of the same narrative. The slave quarters, here, are, I suppose, to some, an embarrassing survival. But that's a good thing. Forgetfulness is a great enemy. While slave quarters like that survive, people are reminded of the evil that comes when man has power over man. The evil of exploitation. The evil of domination. And while that memory survives, those evils, one hopes, can be eradicated.

　　6. The harem was a hotbed of intrigue. Only the cunning and manipulative could succeed here, could rise to the top. Women would spy in women, women would spy on the council of state, if they could, on the Sultan himself through that window over there, that grill. This is the council hall. Eunuchs would be bribed. In this world, there were no boundaries, this world of subtle intrigue, anything was possible. Murders were undertaken. Even the Sultan himself could be toppled.

　　【總結：政治與權力 建築只是野心的載體 人控制人 變的只是表現的形式】

　　EP07 Dreams(也門希巴姆古城、多米尼加聖多明戈城、費城東方州立監獄、不丹廷布扎西確宗)

　　1. Shibam's a marvelous historic city, but it's no arid museum piece. It's full of vitality, authenticity, wonderful sense of life. Here we are on the terrace, gathered together in the evening, drinking tea. And there's wonderful sort of aromas. Frankincense, myrrh and, of course, the sheep and goats. And terrific noises, sounds, music. This really is a living dream.

　　2. The Spaniards were like the horsemen of the apocalypse. They brought death and disease. And as with all imperial powers, hell did follow after them. But it's very curious, isn't it？ Because if he hadn't come, if Spain hadn't been here, none of this would exist. This is now a fusion of cultures, a mix of people, and it seems to be a very healthy, very lively, very tolerant one.

　　3. It was very quiet. The only thing you could hear at night sometimes was somebody crying out for mama or praying. "Lord, I didn't mean it." But he had done it. So you had to do your time, you come in here. You could hear different inmates crying at night. You might have thought they were grown men, but they cried like babies.

　　4. During the 19th century, it changed the form of prisons all over the globe. But today it stands as a monument to the tyranny of ideals.

　　5. Bhutan is a fascinating experiment, a radical attempt to keep the past alive in a modern and often alarming world. I know it wouldn't suit everyone, but to me it seems admirable. Architecture can manke dreams come true.

　　【總結：建築決定人的生活方式 人通過建築守護自己的夢想】

　　EP08 Pleasure(孟買泰姬陵酒店、新天鵝堡、巴西亞馬遜歌劇院、意大利巴巴羅別墅)

　　1. This is Schwangau, Bavaria, home to a fairy tale vision, created by a man who wanted to turn his dreams into architecture. He wanted to build to escape the modern world. He wanted to build to escape humanity. His name was Ludwing II, the Dream King.

　　2. Can you imagine sitting in this box in 1900, listening to an opera or watching a ballet down there？ It was escapism of the highest order. Outside was raw element nature, the great rainforest, the mighty Amazon, a teeming and dangerous port and market. But in here, well, a world of fashion and elegance. Really the opera house was a refuge from reality.

　　【總結：我們都曾在夢中設計過一套自己的房子 有的人將夢變為現實】

　　《漫游世界建筑群》观后感(四)：人与城

　　1.beauty，1.1格林兰岛，雪屋。雪砖，顺时针摆放，螺旋状上升，内倾。圆顶（和罗马风格一样），由两个半圆构成。1.2四川乐山大佛，8世纪建成，高70多米，耗时90年完成。大佛开始容身庙中，庙毁。是弥勒佛，未来佛。2001年，做过一次彻底清洁，酸雨侵蚀。像大佛的眼泪。1.3俄罗斯，圣彼得堡，凯瑟琳宫，18世纪50年代，意大利设计师，巴洛克式风格。电影《战争与和平》中也是此种场景。名字是伊丽莎白的母亲。经常在此举行异装舞会。二战受损，后恢复。最著名的琥珀屋（仿制）。1.4印度，孟加拉湾，科纳拉克，太阳神神庙。最美丽最淫秽的建筑。建于13世纪中期，供奉太阳神苏里耶。到处可见的性爱雕像意义何在？当时，密教讲究修行，通过肉体交欢达到人神合一的境界。17世纪荒废，原因不详。纯洁者看到纯洁，邪恶者看到邪恶。

　　2.death，2.1埃及，3500年前，女法老，哈特谢普苏特的祭祀神庙。2.2危地马拉，玛雅人的亡灵节和天主教的混合，天主教并未承认亡灵节。玛雅人，头盖骨，高地位。雅克沙城遗迹，1200年前。玛雅人有高度文明，数学、天文，认为生死者同享一个世界，神庙是沟通生死的场所。2.3意大利，最大的港口热那亚。1851年建成的斯塔格里诺陵园，各种雕像。小墓地的租期是10年。2.4恒河畔，瓦腊纳西，圣地中的圣地。恒河是女神恒迦的化身。印度教认为在这里去世是幸事。城中有专门的死亡驿站——濒死屋——不接待病人，只接待濒死者和家属。瓦城，丧事经济……湿婆神庙……人们在此庆祝死亡。

　　3.Paradise.3.1埃及，圣凯瑟琳修道院，沙漠中里的一点绿色，世外桃源，人间天堂。3.2山西悬空寺，横梁受力，竖梁只是摆设，悬桁。3.3俄罗斯西北部小岛科济，纯松木建造的圣母慈悲教堂、基督变容教堂（光明），钟楼，用斧头而不是用锯子，没有破坏木头的纹理。3.4印度，卡瓦里河，神庙，七座围墙代表七重世界。

　　4.Disaster.4.1德国，德累斯顿，易北河畔的“佛罗伦萨”。二战，3900吨炸药倾泻在此。文化名城遭轰炸，二战最受争议的行动。1989年德国统一，1992年重建圣母教堂，对当地人来说，重建完成二战才结束。4.2叙利亚，帕尔迈拉。3世纪时，反抗罗马统治。斯诺比亚女王，军队在小亚细亚溃败，奥立安大军兵临城下……4.3美国西海岸，旧金山，地壳上最大的裂缝。1906.4.18大地震，1915年市政厅重建，没有坐在地面上，而是安装了许多减震器。民宅有严格的建筑法规，但人们未执行。对于地震，难以防范，而抗震的成本又太高……4.4阿富汗，赫拉特附近的贾穆宣礼塔，是唯一未经重建修葺的宣礼塔。12世纪90年代的古尔帝国时期兴建。对于盗掘者，“他们可恨又可怜，他们太穷了，掠夺自己的遗产，而那些物品离开了原来的土地，又有什么价值……”

　　5.Power.5.1罗马尼亚，布加勒斯特，人民宫。排在五角大楼之后的世界第二大建筑，据说花了20亿英镑，冷漠阴森的白色大理石。专制者的审美：宽阔的大道（检阅）和雄伟宫殿。这一建筑，只花了6分钟左右的时间来介绍，而通常一处建筑会用10分钟。5.2地中海东海岸，叙利亚，伊斯兰和基督教的交点，12世纪十字军修建的马卡布城堡，十字军是修道士的军事组织。

　　《漫游世界建筑群》观后感(五)：BBC 漫游世界建筑群

　　最近关注了微博名叫“Discovery纪录片”的微博，觉得里面分享的纪录片都非常好。今天闲来无事，便点开纪录片《漫游世界建筑群》看了两集。

　　关于态度

　　玛雅文化遗址是我非常感兴趣的文化之一，纪录片中有关描述玛雅建筑的这样一段话让我印象颇为深刻。“这儿曾经是一片广袤的城市，但如今只有少数几处标志性的建筑依然伫立在这片土地上。那些宫殿和寺庙，至于那些附属而简陋的建筑，只能在岁月中消失，淹没在这片热带雨林中。”漫漫时间长河。难道只有建筑师这样么，人不是也一样。几百年几千年几万年，有多少人能存于后人的脑海里。一步步往上爬，就是希望霓虹灯能照向自己，甚至只照自己。忙忙碌碌一辈子，有几个人能爬上巅峰呢，又有几个人能被这世界记住。第一永远只有一个，天穹浩瀚，普通人能认出的星星也通常只有月亮一个，换言之，要想民垂千古，只能第一不能第二，而且还要保证后人的“第一”不能超越你，否则你“只能在岁月中消失，淹没在这片热带雨林中”。如果真想干出一番事业，成为亘古不变，众人生命里不可或缺的月亮，除了足够的努力还必须是“天才”，有着过目不忘的本领或是天人共愤的脑袋。亚里士多德，伽利略，牛顿······要多卓越才能让人记一辈子啊。没有那种才能，还是一辈子做自己的好，不用霓虹灯，不用观众，只认自己的心，随自己的意，做自己想做的事。不用被世界的承认，只在乎自己心里那块小小的但又有极不安分的“房间”宁静就好。做自己就好。既然结果已定，何不疯狂地活一次。

　　关于艺术

　　想起第一次听一位美国朋友弹琴，有一种久久不能平复的震撼。不在乎的他的琴技有多高，曲子练得有多熟练，而在于他的感觉，他对琴琴对他的感觉。琴音起，黑白键随着他的抚摸敲打瞬间变得鲜活起来，强弱分明，层次清晰。他不仅仅是在演奏，更像是在说故事，说他很早就想讲的一个，缓缓从心底掏出来的故事。我也是个练琴的人，教我的老师也并非“等闲之辈”，但是无论是老师还是我都没有美国友人的这种感觉。那是，我以为，钢琴源于西方，他们发明的东西当然他们懂得怎么“玩”。直到今天，看到《漫游世界建筑群》的第二集，主持人介绍意大利热内亚坟墓的时候，忽然又有了新的一层认识：西方人把艺术当做生活，生活中处处都是艺术；东方人将艺术当做奢侈品，你有钱有地位才能跨过那道门槛拿到认识艺术的入场券。当然，这仅仅指的是西方的艺术，目前社会上风靡的“高雅艺术”，我们对待自己的艺术还是很融于生活的。中国人“不懂”西方人的“钢琴”，想想西方人也同样“不懂”我们的“二胡”，哈哈，心理瞬间平衡！是不是很阿Q啊，管他呢，我开心我快乐！

　　《漫游世界建筑群》观后感(六)：dan cruickshank's adventures in architecture

　　1.beauty

　　1.1格林兰岛，雪屋。

　　1.2四川乐山大佛

　　1.3俄罗斯，圣彼得堡，凯瑟琳宫

　　1.4印度，孟加拉湾，科纳拉克，太阳神神庙

　　2.death

　　2.1埃及 女法老-哈特谢普苏特的祭祀神庙。

　　2.2危地马拉 雅克沙城遗迹

　　2.3意大利 热那亚。1851年建成的斯塔格里诺陵园

　　2.4恒河畔，瓦腊纳西

　　3.paradise

　　3.1埃及，西奈沙漠-摩西-上地显现-十诫；朝圣。

　　圣凯瑟琳修道院-《圣经》中的天堂。现居希腊东正教会。

　　圣凯瑟琳-智慧-学校守护者；遗留的头骨、手骨，治病的传说。

　　灌木燃烧处。

　　与穆斯林贝多因人的和睦相处。

　　高墙。菜园。蜂箱。羊圈。

　　灌木之树。

　　3.2中国，山西。道法自然。悬空寺。

　　未曾幸免于文革-劫后余生

　　3.3俄罗斯西北，科济岛。纯木结构。

　　from太阳女神崇拜to基督教崇拜。

　　围墙：阻挡恶灵、异教势力。

　　钟楼，夏季教堂，冬季教堂，等待末日审判的墓地。

　　斧子（非锯子）沿纹理处理木材。

　　基督变容教堂22个圆顶-《启示录》22章-审判；共33个圆顶-基督死于33岁-死亡。

　　变容-闪光证明是圣子。

　　苏维埃时期的荒芜。

　　3.4印度南部-莎兰佳穆-毗湿奴神庙

　　庙本就是受朝拜的对象-微缩的宇宙

　　7道围墙-7重世界

　　3条普通街道-朝觐用品（鲜花）。婆罗门家庭，熟食献神-厨房与礼拜室相连。

　　神象。

　　千柱殿，1000个毗湿奴的名字，1000首泰米尔圣歌。

　　第三层内-信徒区。

　　街道行神车。

　　4disaster

　　4.1德国，德累斯顿，易北河（畔的佛罗伦萨）

　　巴洛克

　　二战中最大空袭，打击名城以打击士气

　　圣母教堂轰然倒塌

　　战争等于邪恶

　　共产主义民主德国，街道拓宽

　　苏联风格的人民文化宫

　　重统一，圣母教堂的重建（宗教重站在共产主义的尸体上）

　　大规模采用原有材料；世界捐助重建

　　4.2叙利亚，帕尔迈拉

　　300年兴盛，立足于商业

　　独立和入侵，失败，抵御，抓获，投降

　　再次起兵，洗劫

　　4.3美国，旧金山，60%地震

　　博客利体育馆上的地壳裂缝

　　1906年地震大火，市政厅的倒塌，重建加增“减震器”

　　鲜有执行的私宅抗震标准

　　4.4阿富汗，贾穆-宣礼塔

　　60米高，古尔帝国

　　《古兰经》玛丽安的故事：玛利亚和耶稣

　　塔通向天堂

　　5.connections

　　5.1巴西，从零开始-“奥斯卡-尼迈耶的城市”-巴西利亚

　　司法厅的轻盈灵动

　　巴西议会大厦

　　教堂：幽暗死亡-光明重生

　　功能区规划

　　平等设想-贫富差距（卫星城的贫民区）

　　5.2叙利亚，大马士革，有7000年历史的城市。

　　活力之源：贸易。古罗马贸易街。美食（大马士革坚果）。客栈-1752阿萨德帕厦。

　　古罗马朱庇特神庙to基督教教堂to基伊共享to清真寺

　　宗教共处分区。

　　讲故事的人。

　　5.3美国，曼哈顿-摩天大楼，洛克菲勒中心

　　外观：阶梯状，刀锋般狭窄

　　大厅

　　观光顶层

　　底层美食购物-滑冰场-顶层观光烤肉店

　　5.4孟买，达拉维贫民窟（自然生长的城市）

　　始于70年代经济萧条农村进入城市

　　不同族群的生活区

　　政府的“再开发”计划

　　6.power

　　6.1罗马尼亚，布加勒斯特，人民宫

　　社会主义胜利大道-对自然、人类的征服

　　世界第二大建筑

　　硕大而冷漠

　　6.2叙利亚，马卡布城堡

　　伊斯兰和基督教的交锋

　　军事：位置-山顶；材质-天然玄武岩；设计-双层围墙，迷城。

　　宗教：修道院

　　地道战

　　6.3美国，新奥尔良市

　　密西西比河，粮食贸易、奴隶贸易。

　　常青园-甘蔗种植园。

　　柱子显示巨大；希腊风格-奴隶制的支持者

　　对称的园子

　　严格对称的奴隶生活区

　　6.4土耳其，伊斯坦布尔，苏丹的后宫

　　黑太监的故事

　　后宫：只能奴役异教徒

　　后宫争斗，王子争斗

　　7.dreams

　　7.1也门沙漠，希巴姆（沙漠中的曼哈顿）

　　大门走骆驼，小门走行人

　　受袭击；水淹地，耕地。

　　泥巴制砖，室内整洁，天台惬意

　　7.2多米尼加，欧洲人在新大陆的第一城-圣多明各（高压下产生的新文明）

　　哥伦布登陆

　　美洲第一教堂-银匠式外观，内部哥特式圆顶和拱形-共鸣器

　　城市规划：格状街区（秩序和控制）

　　哥伦布宫（总督府）

　　奴隶贸易

　　雪茄产业

　　看待哥伦布【好人还是坏人？总是留下了传奇。】

　　7.3美国，费城，东方州立监狱

　　19世纪的“不文明”监狱

　　教堂风格，建筑改变邪恶

　　监视塔-辐射的中心

　　查尔斯狄更斯对单独监禁的批判（精神暴力）

　　忏悔的哭声

　　7.4不丹，廷布，扎西却堡

　　政治宗教事务：办公区+僧院

　　庭院，

　　建于1970s的“古”建筑，

　　传统服装强制令

　　印度台球，电视机的许可

　　底层畜栏，以上住人；生殖崇拜；佛堂

　　8.pleasure

　　8.1印度，孟买，泰姬酒店

　　哥特式+莫卧儿王朝风格

　　主圆顶-通风囱；四角圆顶-蓄水池

　　8.2德国，巴伐利亚，新天鹅堡

　　路德维希二世

　　王位厅-耶稣引导下的军权；无实权的王位，难堪的同性恋倾向

　　钢架结构，外墙贴砖

　　歌剧厅，瓦格纳歌剧，布景室

　　国王卧室，主题“爱”；特里斯坦&伊索尔特@亚瑟王宫，不伦之恋

　　赶出城堡，死亡之谜

　　8.3巴西，玛瑙斯，亚马逊剧院

　　橡胶业，建立在血汗上

　　“泾渭分明”的合流

　　向埃菲尔铁塔致敬的穹顶

　　走向平民的歌剧

　　8.4意大利，安德里亚-帕拉迪奥，巴巴罗别墅

　　对称（秩序，和谐）

　　山墙（罗马精神）

　　大门不在正立面

　　立体画装饰

　　双矩形房间-“神圣比例”

　　花园

　　四本建筑学著作

　　《漫游世界建筑群》观后感(七)：印象比较深的几个片段

　　印象比较深的是德国的新天鹅堡，主持人说，建筑不仅仅是建筑，更是人的身体和灵魂，感觉那座城堡美丽而忧郁，表现那个同性恋国王的纠结矛盾的内心；

　　还有印度的贫民窟，很喜欢那个主持人，他说不觉得这是贫民窟，他能感受到这是城市的雏形，感受到一种愉悦，人们努力的创造着自己的生活；中国的乐山大佛，它宁静的目光，还有由于环境污染导致的酸雨，在大佛面部留下的泪痕；

　　也门沙漠中的绿洲希巴姆老城,那泥培造就的四方而高耸的独特建筑，时光久远，仿佛也随着时间一起成长，最后一个镜头，大家吃完后在天台上看着太阳缓缓下沉，感觉到一种宁静和永恒

　　喜欢这个主持人，感觉用一种很尊重理解欣赏的眼光来探索这个世界

　　《漫游世界建筑群》观后感(八)：第一集

　　首先，我喜欢老头子的生活状态，年纪一大把，身体依然那么健硕，好有气质。

　　其次，关于建筑。冰屋那个，我一开始担心受力，由于冰比较滑，所以如果是我设计的时候我可能会担心冰和冰之间的摩擦力不会很大，其次，在上面拱形部分，我担心冰块会滑下来。他们说冰之间的雪末融化起到粘结作用，是有一定道理，比如我们堆雪人撒，但是我还是要亲自试了以后才会有更切实的体会。乐山大佛，哈哈，我导师是乐山的，我好喜欢啊，看到他的家乡，有山有水有故事，这是一个出才子的地方。社彼得堡那个女王王宫，我觉得颇为壮观，又有特色，这让我不禁想起艺术设计，有对称美，有尺寸要求和色彩搭配，如果能够通过理论设计规则达到人类共同认知的视觉美，很难吗？估计原则性的东西应该也不会太难。这个东西是人创造出来的，我是人吗，所以我能创造出来。太阳屋，我觉得自然的事情就让它自然，难能可贵的是老头子居然知道如此多神的故事，听得我一个都没记清。

　　最后，赞美一下人类，强调一下多思考，要会表达观点。

　　《漫游世界建筑群》观后感(九)：分级列表

　　1.美。格陵兰冰屋：简单而智慧。中国四川乐山大佛：高大雄伟的朝拜。俄罗斯圣彼得堡凯瑟琳宫：琥珀宫，二战后重修，东正教工匠的谦卑。印度科纳拉克太阳神庙：神秘的密宗。

　　2.死亡。埃及卢克索哈特谢普苏特女神丧葬神庙：威仪和权利。危地马拉玛雅古城：残忍血腥。意大利热那亚斯塔列诺公墓：平静安详。印度瓦拉纳西：愉悦的死亡之城。

　　3. 天堂。埃及阿布祖内玛圣凯瑟琳修道院：神圣而虔诚。中国山西悬空寺：山神合一。俄罗斯基日岛基日村教堂：精巧的全木建筑。印度蒂鲁吉拉伯利市兰格纳塔斯瓦米寺：持久热闹的庙宇 。

　　4.灾难。德国德累斯顿圣母大教堂：治愈战争的创伤。叙利亚帕尔米拉帕尔米拉古城：曾经的繁华。美国旧金山市政厅：地震带之上的智慧。阿富汗贾穆宣礼塔：濒临消失的神迹。

　　5.关联。巴西巴西利亚：现代作品。叙利亚大马士革：包容和谐。美国纽约洛克菲勒大厦：繁华都市的地标。印度孟买达哈维贫民窟：生活的艰辛。

　　6.权利。罗马尼亚布加勒斯特人民大会堂（国会大厦）：独裁的奢华。叙利亚马安铝巴格城堡：宗教之争。美国新奥尔良路易斯安那常青林奴隶主庄园：奴役的见证。土耳其伊斯坦布尔哈仑宫：残酷的皇位之争。

　　7. 梦想。也门希巴姆古城：荒漠中的曼哈顿。多米尼加共和国圣多明戈城：殖民的见证。美国费城东部州立监狱：罪犯的救赎。不丹廷布市扎西确宗：被世界遗忘的王国。

　　8.欢愉。印度孟买泰姬陵酒店：享乐宫殿。德国巴伐利亚州施望高镇新天鹅堡：童话成真。巴西玛瑙斯亚马逊剧院：歌剧的欢愉。意大利巴巴罗别墅：上帝的比例。

　　《漫游世界建筑群》观后感(十)：关于死亡

　　我喜欢看纪录片，《漫游》是一部讲述世界建筑的纪录片，让我这个虽然不懂建筑，但喜欢建筑的人有了一个窗口去了解和认识一切与建筑有关的各种知识和见解。

　　日常生活中，我们提到的建筑不过是最常见的住房、各种高楼大厦、旅游胜地、特色民居等。但在《漫游》中，建筑的意义不仅仅在于居住，它还有更多的意义，比如：权利的象征、荣誉的殿堂、神灵的庇护所、死神的祭祀地、信徒的拜祭坛等等。

　　今天看到的是关于死亡的一些建筑，印象最深刻的是印度的瓦拉纳西，这座城市是印度著名的圣地之一，被认为是印度最古老和最神圣的城市，它坐落在恒河左岸陡峭岩石构成的坚实的岩岸上。恒河在印度是带领灵魂走向永生的天堂之河。因此每年甚至是每天都会有很多虔诚的信徒赶到恒河在河中沐浴或者用河水浇灌全身，认为只要经过恒河圣水洗浴过后就可以将身上的罪孽和灵魂的污浊洗净。印度的信徒们还会将那些即将死去的人大老远的从家乡赶至瓦拉纳西的一些濒死房等待神灵的庇护或者死神的到来，因为他们相信瓦拉纳西的湿婆神会保佑死者并让那些即将死去的人灵魂得到释放并且直达天堂。在瓦拉纳西，灵魂不必重生，它将归还给神灵，毫无保留的还给神灵。还有一些信徒会把已经死去的人用一些金色的饰件和挂件放在死者的身上，越是重要的人物，身上所挂的配饰就越多，他们一路抬着死者的尸体在狭窄的小路和过往的人群中穿行。路上行人看这些尸体的神色很坦然、淡定并不感到有任何恐惧。那些人将死者的尸体抬到恒河的岸边，然后用木材搭起架子，将尸体放在木材上，在把一些柴火放在尸体上，于是点火进行火化。站在河岸上的一些人看着这些场景，很少有人脸色是阴沉的，他们并不难过，有的在交谈，有的在欢笑。他们认为这是一次成功的庆祝仪式。另外，在瓦拉纳西你还可以看见很多的牛，它们就像路上的行人一样自由穿行。这是瓦拉纳西的图腾。信徒们像尊重圣灵一样尊重牛。

　　对于死亡，很多人更多感受到的是一种恐惧、令人难过，想要去拒绝。但是，在瓦拉纳西，这里的人却相反。他们对于死亡是一种乐观的面对和接受，他们用喜庆的方式来道别。这既了不起，也令人振奋。

　　事实上，从另一种角度看。其实，死亡也是一种视觉美景。死亡是解放之旅，是值得拥抱的旅程。